la petite météorite (2021) Sculpture by Dominique Ganiage

Sculpture - Clay, 5.9x7.1 in
$1,053.5
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  1125 px  

1500 px
Dimensions of the file (px) 1125x1500
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One of a kind
Certificate of Authenticity included
  • Original Artwork (One Of A Kind) Sculpture, Clay
  • Dimensions Height 5.9in, Width 7.1in / 1.00 kg
  • Fit for outdoor? No, This artwork can not be displayed outdoor
  • Categories Sculptures under $5,000
About this artwork: Classification, Techniques & Styles. Clay. Sculpture technique using as a raw material a malleable soil that can have different colors. Technic Sculpture. Sculpture is an artistic activity which consists of designing and producing shapes in volume, in relief, either in the round (statuary), in high relief, in low relief, by modeling, [...]

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Dominique Ganiage est une sculptrice française. Elle a étudié avec Véronique Jestin, élève d'Etienne Martin, et Indra Milo. Elle travaille quasi exclusivement la terre, brute ou patinée, pour sa dimension essentielle, [...]

Dominique Ganiage est une sculptrice française. Elle a étudié avec Véronique Jestin, élève d'Etienne Martin, et Indra Milo. Elle travaille quasi exclusivement la terre, brute ou patinée, pour sa dimension essentielle, plastique et indocile, comme son caractère prométhéen. Son style est éloigné des courants, mais on en retient des résonnances avec les mondes de Bourdelle et d’Ousmane Sow. Jamais lisse, en écho à un monde qui ne l’est pas, il est marqué par la permanence de la trace de la touche, l’énergie de l’élan créatif premier, l’ombre et la lumière. Animée par le souci d’aller à l’essentiel et de trouver les traits profonds qui vont donner vie à l’œuvre, elle cherche à rendre compte d’un monde âpre mais humain. Son travail est traversé par une double tension entre force et sensibilité, puissance et émotion. Son œuvre orientée au départ vers le corps, s’est élargie aux portraits et visages, puis aux roches et paysages, avec des incursions animalières centrées sur les félins. Elle expose régulièrement à Paris et Ile de France.

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