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01/26 Quaderno Disegni 2004 Catania Parigi (2004) Drawing by Claudio Mario Andrea

Ballpoint pen on Paper, 7.5x12.6 in
$7,225.82
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01/26 Quaderno Disegni 2004 Catania Parigi. Aperto 32/19 Cm. (Biro). Io non parlo inglese. Parlo coi gesti. (2011). A Claudio Arezzo di Trifiletti non occorre conoscere una lingua specifica. Non servono curriculum onorevoli o master di prestigio per far risaltare la propria essenza e contaminare chi lo circonda o ne osserva il talento. A lui basta...
01/26 Quaderno Disegni 2004 Catania Parigi
Aperto 32/19 Cm. (Biro)

Io non parlo inglese. Parlo coi gesti. (2011)
A Claudio Arezzo di Trifiletti non occorre conoscere una lingua specifica.
Non servono curriculum onorevoli o master di prestigio per far risaltare la propria essenza e contaminare chi lo circonda o ne osserva il talento.
A lui basta il linguaggio dell'anima.
Quell'idioma interiore e primordiale che, nei meandri dello spirito, necessita di spazi estesi per trasformarsi in gesti e irradiare energia.
Sapersi ascoltare e mettere in pratica è il credo di pochi. Una responsabilità per sé stessi e per gli altri da non sottovalutare. Un atto d'amore, un impegno, una necessità.
Sapersi ascoltare e mettere in pratica non è il credo di Claudio Arezzo di Trifiletti, è la sua ragione d'esistere.
E forse lo è sempre stato, sin da bambino, da quando ha cominciato a scarabocchiare le prime tele.
Parlare coi gesti assume un significato più ampio di quello letterario.
Costituisce gesto accendere una candela in segno di costernazione o donare un abbraccio al prossimo senza alcun fine. Costituisce gesto raccogliere oggetti per strada e rendere omaggio all'umanità creando un'opera praticamente dal nulla, o ancora intingere il pennello su una tavolozza, scegliere un colore senza troppo badare alla fedeltà della sfumatura, lasciandosi trasportare dai movimenti del cuore, trascurando qualunque tipo di immagine prefissata.
Claudio Arezzo di Trifiletti parla coi gesti: impronte, installazioni, azioni, scritti.
Il risultato è la sua arte.
In un mondo in cui l'Anima perde peso, consistenza, diventa biodegradabile ed esaurisce la propria forza, l'impegno di un artista diviene meccanismo essenziale per olearne gli ingranaggi obsoleti, bloccati da una società robotizzata che attribuisce importanza ad inutili necessità.
Essere artisti significa sporcarsi le mani, la pelle, i vestiti.
Significa anche accantonare pennelli e colori per mettersi al servizio degli altri, con ciò che si ha a disposizione.
Il viaggio è svegliare menti assopite vittime di un sistema corrotto.
La meta è il bene dell'uomo. La vicinanza col prossimo. La pace tra i popoli. Il rispetto delle disuguaglianze.
Prima dell'artista, c'è l'uomo.
Prima di Claudio Arezzo di Trifiletti, c'è Claudio.
Il suo talento, lo spessore artistico, le opere, non sono nient'altro che una semplice equazione.
La diretta conseguenza della persona meravigliosa che è.
Esistono silenzi che comunicano più di mille parole.
La prima volta che lo incontrai disse poco a voce, ma parlò abbastanza.
I nostri cuori strinsero un patto senza conoscersi.
In segreto mi donò amicizia e fratellanza.
E a lui devo molto.
Quanti di voi sono pronti a mettersi a servizio degli altri?
Iniziate accogliendo chi si mette a servizio di voi.
Se si vogliono eliminare le barriere, dobbiamo pensare che siamo tutti molto vicini.

(Francesco Russo)

Related themes

DiarioBookDisegnoParigiCatania

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Claudio Arezzo di Trifiletti is a chosen medium for manifestation. Nature is a mirror of art, to the point that it would be possible to understand and explain the universe through simple artistic conjectures,...

Claudio Arezzo di Trifiletti is a chosen medium for manifestation. Nature is a mirror of art, to the point that it would be possible to understand and explain the universe through simple artistic conjectures, keeping in mind that both truth and artifice rest on art. Man, an instrument of tangibility, is a medium of art itself; the artist gives himself to nature, and it becomes manifest, finding mutual benefit: pleasure for creation and illusory manifestation. Claudio's paintings have been a cognitive compass for this existing perception: family, science, and spirituality. Family is the silent inhabitant of Claudio's paintings: family is the primary place where the deepest meaning of existence is understood, where the bond between mutual lives extends beyond the very concept of family, transforming into something obsessively profound, intertwined, glued, painted, confused, connected, furious yet devoted and confident. The world is family, I am family, they are family. The cosmos and the entire universe are family, understood as an ontological and visceral link between spirituality and matter. Claudio expresses Family in his paintings, and Family uses Claudio as a tool to manifest itself. Science orders. Science shapes to order; it is a tangible and attractive tool for revealing Art. Nature and the Science that governs and regulates it can be known through various tools; when I observe with a fluorescence microscope, I see notions naturally expressed and evident in Claudio's drawings, which themselves are a further tool of scientific knowledge: expressive photography of a subject who observes the universe and captures it, for a long time, not as a mere image, but as its essence, through pictorial art, the oldest and most primordial of the expressive arts that humanity has ever experienced. The distinctive feature of Claudio's painting is the spirituality that emerges from his ability to navigate error and awareness, conflicts and bonds, for growth and rational spiritual evolution, exalting the interiority of men, things, and the elements themselves. He acquires specific expertise by learning to practice wisdom and then transmit it to others, to other things, from natural to artificial, to the point of giving art a precious gift: becoming. Describing and explaining Claudio's paintings is nothing other than describing him, a researcher, a wise discoverer who, like them, works to transform what he encounters into a single organism capable of generating growth and freedom, but above all, truth. His paintings are acts of love. (Marialaura Ontario)

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