La femme et le Chat noir (2022) Painting by Christelle Delorme

Oil on Paper, 16.1x11.8 in
$649.82
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Customer's reviews Excellent
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Sold by Christelle Delorme

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Sold by Christelle Delorme

One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Ready to hang
Mounted on Wood Panel
This artwork appears in 4 collections
  • Original Artwork (One Of A Kind) Painting, Oil / Charcoal on Paper
  • Dimensions Height 16.1in, Width 11.8in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Paintings under $1,000 Naive Art
Ma nouvelle collection se nomme "Les femmes animales" Cette série a une histoire particulière.. c'est suite à une attaque par un Chien Loup qui m'a immobilisée durant des mois, que je me suis remise à peindre ... J'ai alors commencé ces peintures de femmes, des portraits avec animaux. La femme comme reliée à sa[...]
Ma nouvelle collection se nomme "Les femmes animales"
Cette série a une histoire particulière.. c'est suite à une attaque par un Chien Loup qui m'a immobilisée durant des mois, que je me suis remise à peindre ...
J'ai alors commencé ces peintures de femmes, des portraits avec animaux. La femme comme reliée à sa part animale...

J'utilise une technique mixte de fusain et de peinture à l'huile sur du papier Hahnemühle. La peinture est vernie et envoyée dans son cadre blanc ou noir.
30X41, sur un cadre 50X60.

Related themes

FemmesPortraitAnimauxPeinture

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Operating by series "the Hollywood", "the Gold", "the Bathers", the "Avant-scene", "Women in the bar", "the solitaires" and today the series "Spring 2020"[...]

Operating by series "the Hollywood", "the Gold", "the Bathers", the "Avant-scene", "Women in the bar", "the solitaires" and today the series "Spring 2020" and "The Bathers 2021 "" No liberties "and the" Ballerinas "my work is a glamorous and melancholy vision, which merges the past and the present.
“The Bathers and the Ballerinas” are series imbued with nostalgia. They evoke the past, childhood and its carelessness. The women suspended in a darker sky, with deeper colors like an unknown night, this sky in which we are asked to enter to work, and which we cross brighter, lighter, as if purified. Women take the plunge towards this stranger or from behind, projecting their moods. Caspar David Friedrich called it "the tragedy of the landscape" ...
Today I mainly work with charcoal on a background of oil colors, or oil paint on canvas.

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