EXCERPT from the text "Reality is much greater when seen from within" by Elisa Rigoulet for DDA Nouvelle Aquitaine. (...) Accepting external disorder, accepting disorder within oneself, and finally accepting disorder in painting. Letting go. Cherishing the blur. Camille Beauplan reads space like a book, from left to right and in two dimensions. Oil painting then becomes the medium for a psychic immersion and a break with planes, a refusal to situate and limit the scene, a desire to dilute. Everything becomes soft, draped, horizontal. The supports themselves explode; the canvas sometimes becomes paper, paper is mounted on cardboard, motifs appear on tapestries as prints on matte vinyl. Camille Beauplan accepts exploring the possibilities. It is fluid and dizzying. Reality is much greater when seen from within. In this new necessity of living, painting must be a smell, a warmth, a flesh, a movement. The artist turns to installation as an extension of action in space, a new exploration of vision, an omniscience of the living. The living, moreover, appear, and with them, figures. They come to experience the world whose desolation we had already grasped. They will certainly choose one of the seats on the carousel and try to make it spin. We breathe. Then, we plunge. Vision is fractured, anamorphic, almost psychedelic. Everything is in dialogue. Background and subject merge in a definitive abandonment of planes. Lights, textures, undulations trace a movement of aspiration. "Decay, deformation," says the artist. It is the reign of the magical in-between. (...)