Intervals 11 (2023) 摄影 由 Araf

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The photographs reflect a concern for the landscape, not as a geographical entity, but as a metaphysical phenomenon. Under the title of Intervals, this set of images taken at different latitudes and moments, refer to both light and time; that moment when nature itself violates and confronts the observer. The landscape appears as a metaphor. A show[...]
The photographs reflect a concern for the landscape, not as a geographical entity, but as a metaphysical phenomenon. Under the title of Intervals, this set of images taken at different latitudes and moments, refer to both light and time; that moment when nature itself violates and confronts the observer. The landscape appears as a metaphor. A show that seems built and retouched and that is nothing more than a game of perception. My photograph captures the detail and everything emerges from there. The fragment becomes an atmosphere and then perception is challenged. Air, water, earth mix to create sublime and peaceful scenes. Landscapes seem artificial but they are nothing more than the result of an attentive view of nature.

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辛西娅·阿拉夫 (Cynthia Araf) 是一位知名且受人尊敬的艺术家。她的镜头捕捉到了场景的细微之处,其他一切都随之而来。片段转变为一种气氛,然后挑战感知。空气、水和土的元素相结合,创造出精致而宁静的景观。景观可能看起来是人造的,但它们只是仔细观察自然的结果。 摄影师选择了具象图像的变形或抽象化作为综合元素和本质的手段,始终以光为目标,因为她有兴趣寻找存在的本质并生活在被提及的环境中作为“现实”。 辛西娅·阿拉夫(Cynthia[...]

辛西娅·阿拉夫 (Cynthia Araf) 是一位知名且受人尊敬的艺术家。她的镜头捕捉到了场景的细微之处,其他一切都随之而来。片段转变为一种气氛,然后挑战感知。空气、水和土的元素相结合,创造出精致而宁静的景观。景观可能看起来是人造的,但它们只是仔细观察自然的结果。

摄影师选择了具象图像的变形或抽象化作为综合元素和本质的手段,始终以光为目标,因为她有兴趣寻找存在的本质并生活在被提及的环境中作为“现实”。

辛西娅·阿拉夫(Cynthia Araf)出生于 1974 年,是墨西哥战后和当代艺术家。辛西娅·阿拉夫 (Cynthia Araf) 的艺术作品已经在许多重要的画廊和博物馆中展出,包括科罗拉多艺术画廊。


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