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It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
ArtMajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in terms of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of ArtMajeur framed art prints.
For Artists! You help artists to live from their work. They receive royalties everytime you buy their prints.
About our fine printsMy paintings don't just depict another reality—they open doorways to it. At the heart of my creative practice is light — not only as a natural phenomenon, but as a symbol of inner awakening and transformation. I merge contemporary visual language with spiritual depth, inviting the viewer into a space of expanded perception. I enjoy working in series, and I am currently developing two main directions: metaphysical landscapes and visionary portraits. In the landscapes, I open timeless spaces filled with silence and transformative meaning. In the portraits, I explore the depth and inner light of the soul.
I feel a deep resonance with the spiritual explorations of Agnes Pelton and the visionary imagery of Nicholas Roerich.
My technique is based on a multilayered approach: acrylic mediums allow me to work freely with color, transparency, and luminosity, while final touches in oil bring a velvety glow and depth to the surface, creating a vibration of tones.
Painting, for me, is not only an act of creation — it is a meditative dialogue with color, with space, with the Divine and with the viewer.