Mucha was famous for his commercial posters, which had a wide audience, but he also worked in a variety of other media, including furniture, jewelry, and theatrical sets. He mostly worked in Vienna and Paris, but was also in Chicago, where he taught at the Art Institute, from 1904 to 1910. There, he introduced his interpretation of the "new art" to a United States audience. The densely patterned posters epitomize the Art Nouveau interest in natural forms, decoration, and a rejection of the anonymity of mechanical production.
Accomplishments Women were a common theme in Mucha's work (and in Art Nouveau art in general). The femme nouvelle or "new woman" type was a favorite subject, since it served both allegorical and decorative purposes. Indeed, Mucha and his peers celebrated femininity as the antidote to an overly-industrialized, impersonal, "masculine" world.Mucha worked in a variety of media that were accessible to a wide audience, and so the reach of his art extended beyond the borders of "high art." Everything could be a work of art, encompassing a person's daily experience, from wallpaper to furniture to clothing to promotional posters around the city.Although Mucha is most associated with his Art Nouveau posters, he spent the latter of half of his career focused on projects of a nationalist character. Stirred by a pride in his country and an interest in its artistic traditions, Mucha sought to celebrate the history and mores of Czech culture.