Aleksej Daniel Djermanovic

Izvolite prisustvovati - Einladung



22.septembar 2012. - 1800 h Muzej Macura - Novi Banovci




Muzej Macura Novi Banovci Zenit 1 0644729629

Exhibition - Ars Altera Pars - Aleksej Daniel Djermanovic


Macura-Museum


20.09.2008. 1800 h

Encaustic painting A 6th-century encaustic icon from Saint Catherine's Monastery, Mount Sinai. Encaustic painting, also known as hot wax painting, involves using heated beeswax to which colored pigments are added. The liquid/paste is then applied to a surface — usually prepared wood, though canvas and other materials are often used. The simplest encaustic mixture can be made from adding pigments to beeswax, but there are several other recipes that can be used — some containing other types of waxes, damar resin, linseed oil, or other ingredients. Pure, powdered pigments can be purchased and used, though some mixtures use oil paints or other forms of pigment. Metal tools and special brushes can be used to shape the paint before it cools, or heated metal tools can be used to manipulate the wax once it has cooled onto the surface. Today, tools such as heat lamps, heat guns, and other methods of applying heat allow artists to extend the amount of time they have to work with the material. Because wax is used as the pigment binder, encaustics can be sculpted as well as painted. Other materials can be encased or collaged into the surface, or layered, using the encaustic medium to adhere it to the surface. This technique was notably used in the Fayum mummy portraits from Egypt around 100-300 CE, in the Blachernitissa and other early icons, as well as in many works of 20th-century American artists, including Jasper Johns. Kut-kut, a lost art of the Philippines implements sgraffito and encaustic techniques. It was practiced by the indigenous tribe of Samar island around 1600 to 1800.[citation needed] Encaustic art has seen a resurgence in popularity since the 1990s with people using electric irons, hotplates and heated stylus on a variety of different surfaces including card, paper and even pottery. The iron makes producing a variety of artistic patterns elementary. However, the medium is not limited to just abstract designs, it can be used to create complex paintings, just as other media such as oil and acrylic.

: « Sainte Geneviève de Paris »
- Le chemin de l’icône au XXIème siècle


En observant l’icône canonique de l’ancienne Eglise de l’Ouest et de l’Est, nous rencontrons aujourd’hui de nombreux problèmes.

Comment sauver les canons de l’iconographie sans participer au pur formalisme artisanal, ou au contraire au fantasme artistique sans possession d’image de la divinité éventuelle.

En exposant ce problème nous reconnaîtrons que l’icône du XXIème siècle a connu une crise.
Quand nous souhaitons souligner le caractère monumental de la peinture, nous prenons souvent comme exemple la peinture virtuose byzantine.

Comment sauver la virtuosité et l’héritage des traditions anciennes sans perdre le chemin, sans devenir copiste ou artisan. L’icône doit vivre autrement.(L’icône vit autrement)

Ma solution est fondée sur la recherche de l’expression, en transcrivant la monumentalité de l’icône byzantine et en la traduisant dans une langue expressive contemporaine, sans minutie, une expression essentielle de la relation entre la poétique, la forme et la religion.
Elle est également fondée sur la reprise d’un dessin expressif comme trame fondamentale avec des interventions colorées minimales.
J’étudie aussi le transfert d’un monde spirituel sur les media, et l’utilisation du symbole de la couleur avec son but sémiotique.

Le thème est celui des Saints de Gaule, d’où le nom du projet « Sainte Geneviève de Paris ».

Aleksej D.Dj. 8.7.2005.

“Personal Ark”
This concept is representing a sublimation of cultural-sociological perception of the world and it’s values, in reference to percept fleethy phenomenons, worlds which disappears from perception of an eye and the mind of the person and groups.

Dead substance is an corpus of the first part of concept and represents a selectivity of “pieces” from the world’s scarpbox, in which person, as a futuristic icon of ancestor Noah, becomes the gatherer, collector of creation. But, today, dead substance, diametrically from remarked happening and person, indicate transfiguration of the world which we belong to.

The corpus of second part of the concept is build by pale reflexion of the subject’s memory, translated and designated on a rigid media, in the case where subject as narrator of colours and illustrations, describes forgotten substance again, by personal and contemplative decision.
The attempt of new Noah to save the icon of one disappearing world, by remembering substance and marking it.

The third part, IHTIS, represents perception of this macrocosm through two points, which are moving together, contacting and impacting on their way, but that’s the reason why their ideological trip is very distributed and in a contraposition.

Summation of heritage of the European man, just like as their confrontation, has an idea how to overcome mortification of significant unit, consigning to singularity of every human being, but specially the man as Homo Habilis, whose peculiarity is articulate in a performance which is giving a tintuation of ambience in which we all are.
The icon of the disappearing world, in attempt to save elements in disintegration of the world he remembered…

The project have 3 parts:

I. Collector
-Collection of interesting substances…shellfish, aftermath, parts of some organisms….
1. Abstract composition build with combine techniques (Anodonta Anatina) associate on butterfly in whirlwind (diptych)
2.Sharks’s whorl (Chondrichthyes) has signed Maltesian cross, two other crosses on painted and vermeiled templates.
3.MYRTACEA EUCALYPTUS INCRASSANTA- the abstract composition
4.SEMEN - PSEUDO KRIN- the abstract composition
5.PLANORBIS CORNEUS
6.Overbloomed blowball in a glass box
7.Shuck of papaver in a glass box
8.Tug’s horn in a box, spiral of a gold intersection
Etc…..

II. Remembering the substance
Build with the pictures and illustrations of creation, of a man, from the embryo phase to the adult person, substance (Subsistence) which I am impressed with, from realism (realistic description) to expressionistic contouring as a pale reflexion of disappeared memories…

III. IHTIS
Leonardo’s schema oh human (Humanistic Ideal) Vitruvius, Christ’s napkin (not made by hand), are the themes of this chapter, representing two oscillated points.


Both samples follows the rule of an gold intersection, but the signification is dissonant. Humanism, a philosophy build on negation of the old authority inspired by summing knowledge (studia humanitates) on a way to perfectionism, man is becoming a God and Christianity, born from the science of Christ, God is becoming a man…
IHTIS should represent man’s escape from this valley of tears, fish which is free, out of Heracles’s “river of life”…
Man, who is walking free again, like a Bach’s “Erbarme dish”…





12Steps to build your own Personal Ark " A convulsive shuddering passed over the rocks on which the 12 steps to build your own personal ark of Leaphigh, but at length consents that I had many and menacing to admit of 12 steps to build your own personal ark union were a good heart, if his naked hand. There were six on the subject of discourse with some 12 steps to build your own personal ark difficulty in coming near his end."

Crux
Kapela – Paraklis

Predstavlja savremen pristup u formiranju molitvenog mesta u sklopu
Muzeja savremene umetnosti (Muzeja Macura) koji objedinjuje: zenitizam, jugo-dada,
Poljski I ruski konstruktivizam, srednjeevropsku avangardu, beogradski nadrealizam, EXAT 51, Gorgonu, visoku modernu, konceptualnu umetnost,bečki akcionizam, vojvodjansku neoavangardu, minimalizam,Grupu od šest umetnika I tako dalje.

Buduci da je ovaj veliki kubus suštinski i namenski hram umetnosti,
ovaj projekat je pokušaj objedinjavanja kontemplativnog i delatnog pristupa koji posetiocu pruža mogućnost da i sam postane delatelj, umetnik i tako da i sopstveni duhovni doprinos ovom mestu.

Prosvetljenje - Kontemplacija - Odeljivanje svesti

Ideja je potekla od koptskih kubiziranih paraklisa koji pre lice na neke
prekniferovske tragove u vremenu nego na hramove osobene za to razdoblje.

Izgradnja ovog objekta uključuje gradnju samog objekta čvrstim materijalima, korištenje novih materijala i savremenih rešenja u duhu sa ovim savremenim zdanjem i na kraju oslikavanje njegove unutrašnosti stilom primerenim ovoj modernoj gradjevini, prevodeći jedan arhaičan duhovni jezik i pristup na jedan ekspresivan, savremen, monumentalan govor lišen minucioznosti i preterane eksplicitnosti,
što bi samog učesnika, posmatrača trebalo da nagna da sam oživljava i saživljava se sa scenama bez pretenzija da mu se servira potpun prikaz.
Ikona po svojoj suštini bez posvećivanja pažnje spoljašnosti, pukom kićenju i ukrašavanju.



Aleksej Daniel Djermanović

"LIČNA ARKA"

U trenutku sveopšte krize na ovoj čarobnoj i strašnoj Zemlji i posrnuća čoveka zamorenog nemilosrdnom trkom za progresom koji se meri profitom, avangardna umetnost dobija svoje pravo mesto. Otvara nam vidik ka unutrašnjoj svetlosti duše i daje nadu za spasenje kroz kreativnost - ne rušilaštvo, kroz otvaranje - ne otuđenost.

Dva vrhunska likovna umetnika iz naše sredine, Aleksej Daniel Đermanović i Justin Aleksandar Ristić, objedinivši svoje radove koji su u funkciji duhovnosti i povratka prirodi, s porukom iz Simbola vere: "Čekam vaskrsenje mrtvih i život budućeg veka", upućuju nas na pronalaženje izlaza iz mraka u kome se nalazimo.

Dok u Justinovim radovima ljudi "larve", ušuškani u svojim posteljama, vilama, sa izgubljenim čulima za druge, vegetiraju u svojoj "punoći" prostora i vremena, kao fetusi, u Aleksejevim radovima postoji čovek tragač, sakupljač, spasilac, postoji čovek Noe, ali Aleksej ga ne slika, on slika njegovo delo, jer on je bogočovek - nesaglediv, on je tvorac vidljivog. Takav čovek, koji je čuvar prirode, a kulturna baština mu je svetinja, koji se sagledava duhovnim očima, spasiće ovu planetu i izbaviti čoveka "larvu", pomoći će mu da vaskrsne u potpunoj metamorfozi u duhovno biće. Čovek Noe, u Aleksejevim radovima, vidi poruke Stvoritelja u svemu što ga okružuje. Znaci Hrista su otelotvoreni u semenu, školjki, leptiru...

Aleksejev rad "Osušeni maslačak u staklenoj kutiji" - vesnik proleća; rasejano nežno paperjasto seme, poput toplih reči i nežnih dodira, daće novi život. Osušeni maslačak u staklenoj kutiji, kao Noeva barka na vrhu tajanstvenog brega, svedoči o večnom životu.

(Imala sam čast da ovim rečima otvorim izložbu "Lična arka" autora akademskog slikara i ikonopisca Alekseja Daniela Đermanovića u holu pozorišne sale u Staroj Pazovi, 19.02.2008. u 19 h.)

alexejdaniel/



Aleksej Daniel Đermanović

UMETNOST U FUNKCIJI DUHOVNOSTI I SPASENJA

Umetnik u ovom prolaznom, propadljivom, vidljivom postojanju, u borbi ideje i materijala, pred očima koje često ne vide, pred srcima koja ne zatrepere, pobeđuje najpostojanije u nestajanju – vreme. Tek decenije, vekovi...večnost – potvde vrednost nadahnuća i savršenstvo stvoritelja.

Umetnik Aleksej Daniel Đermanović, još u prvim svojim likovnim radovima, pokazao je osobenost da prevaziđe realno i u vizuelnoj umetnosti otkrije srcu vidljivo. Nerazumevanje prosečne, neobrazovane likovne publike nije ga pokolebalo. Nijedan njegov rad nije «umetnost radi umetnosti», nije «komercijala», nije ulagivanje posmatraču i kupcu. Iskrenost, doslednost i istrajnost, vrednoća i privrženost, doveli su ga na put velikih umetnika.

Kao prst sudbine bilo je njegovo rođenje u Parizu 1972. godine. Prvih sedam godina života u Parizu, dok su se druga deca igrala – Daniel je slikao čudne, neobične kompozicije za njegov uzrast. Nije želeo nikom da pokazuje, a tajnu je čuvao samo za jedne oči. I te Oči ga prate i danas. Za te Oči živi i radi. A živi i radi u Srbiji i Grčkoj, Atosu, Svetoj Gori. U mnogim hramovima ostavio je deo svoje duše.U ikone, freske, mozaike, utkao je ljubav i umeće.

Po završetku V.Š.likovnih i primenjenih umetnosti upisao je Akademiju S.P.S. za umetnosti i konservaciju, odsek zidno slikarstvo. Studirajući u klasi Srđana Radojkovića, Daniel nije naučio da stvara, on je postao stvaralac. Svoju umetnost, nadahnuće i imaginaciju stavio je u funkciju duhovnosti. Promocije svojih dela imao je u poznatim svetskim galerijama. Veliku pažnju i uspeh postigao je u Internacionalnom art klubu pri UNESKU a za doprinos u vizuelnoj kulturi dobio je posebno priznanje grčkog prestolonaslednika Princa Jovana Arkadija Laskarisa Komnina.

Njegove izložbe imaju duboke poruke i izlaže u trenucima kada nam treba prosvetljenje i duhovna snaga pred Zlim. Duboko u duši boli ga izobličenje lica jednog napaćenog naroda, nestajanje u vremenu i prostoru. Nedavnom izložbom «Lična arka» daje nam nadu da postoje ljudi, postoji način, postoji Vera, Ljubav i Nada da se vratimo u Sebe i na Svoje.


Nadica Janić

Encaustic painting



A 6th-century encaustic icon from Saint Catherine's Monastery, Mount Sinai.


Encaustic painting, also known as hot wax painting, involves using heated beeswax to which colored pigments are added. The liquid/paste is then applied to a surface — usually prepared wood, though canvas and other materials are often used.

The simplest encaustic mixture can be made from adding pigments to beeswax, but there are several other recipes that can be used — some containing other types of waxes, damar resin, linseed oil, or other ingredients. Pure, powdered pigments can be purchased and used, though some mixtures use oil paints or other forms of pigment.

Metal tools and special brushes can be used to shape the paint before it cools, or heated metal tools can be used to manipulate the wax once it has cooled onto the surface. Today, tools such as heat lamps, heat guns, and other methods of applying heat allow artists to extend the amount of time they have to work with the material. Because wax is used as the pigment binder, encaustics can be sculpted as well as painted. Other materials can be encased or collaged into the surface, or layered, using the encaustic medium to adhere it to the surface.

This technique was notably used in the Fayum mummy portraits from Egypt around 100-300 CE, in the Blachernitissa and other early icons, as well as in many works of 20th-century American artists, including Jasper Johns.

Kut-kut, a lost art of the Philippines implements sgraffito and encaustic techniques. It was practiced by the indigenous tribe of Samar island around 1600 to 1800.[citation needed]

Encaustic art has seen a resurgence in popularity since the 1990s with people using electric irons, hotplates and heated stylus on a variety of different surfaces including card, paper and even pottery. The iron makes producing a variety of artistic patterns elementary. However, the medium is not limited to just abstract designs, it can be used to create complex paintings, just as other media such as oil and acrylic.

UNESCO-Pireas.gr
12/7/2007
UNESCO Club of the Department
of Piraeus and Islands

THE SPIRIT OF THE SERBIAN ART AT INTERNATIONAL ACTION ART

The greatness and the beauty of modern,
but also classic Serbian art, was admired
by those who visited the exhibition, titled
"the Serbian Spirit"
The painting exhibition took place in the
cultural multicentre "International Action
Art in Piraeus. The artists who took part
were: Aleksei Daniel Djermanovic, Mirjana
Novakovic, Kristina Ristic, Milica
Propadovic, Snezana Krstic, Josef Nadj,
Julia Kontoni and others.
Furthermore, many works were presented
by the convent of Chilandariou such as:
portraits, seascapes, sculptures,
handworks in glass and metal as well as
Byzantine pictures.
In regard with this artistic exhibition the
President of Club UNESCO of Piraeus and
Islands pointed out:
"We tried to make the public understand
and feel the Serbian artistic and religious
creation considering that Serbian culture is
very rich.
("INTERNATIONAL ACTION ART" - 212,
Alkiviadou Str.

Archeological Museum, on the crossroads
with Charilaou Trikoupi Street - tel. 210
4280632)


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46. Likovna kolonija Sićevo

ImageGalerija savremene likovne umetnosti u Nišu organizovala je i ove godine likovnu koloniju Sićevo od 1. do 10. septembra 2010. godine. Ovogodišnja Kolonija ima 12 učesnika: prof. Čedomir Vasić, Uroš Đurić, Miron Mutaović, Aleksej Daniel Đermanović i Saša Stojanović (Beograd), Mr. Jelena Šalinić Terzić (Kraljevo), Mile Simić, Nikola Marković i Neda Šukletović (Niš), Tine Hind (Danska), Kaori Nakamura i Koici Makino (Japan). Likovna kolonija Sićevo nastavlja tradiciju Prve jugoslovenske umetničke kolonije i neguje sećanje na osnivača - veliku srpsku slikarku Nadeždu Petrović. Redovno se održava od 1964 godine.ImageImage

index.php?option=com_content&task=view&id=1331&Itemid=106

video 1

prof. Čedomir Vasić


Aleksej Danijel Đermanović

Mr. Jelena Šalinić Terzić
V i d e o 2

Tine Hind (Danska)


Koici Makino (Japan)

Kaori Nakamura (Japan)
V i d e o 3

Mile Simić

Marija Stojiljković

Saša Stojanović

Curriculum vitaePortfolio


Daniel Aleksej Djermanovic ne a Paris le 08.octobre. Ou il a passe les premiers 7 années de sa vie, en montrant dans l’école primaire ses enclines vers l’art.
Pendant l’école primaire et secondaire il a continue de developer ses expressions artistique personnelles, et il a reçu ses premières approbations.
L’année 1993, il s’est inscrit a L’école Supérieure des Beaux Arts, section Pédagogie d’Arts, la même année il a participe dans l’exposition des peinture a Stara Pazova,sous « la baguette » du conservateur Nikola Kusovac.
En 1994 il prendre part dans les expositions des étudiants et l’exposition destine aux invalides de la guerre.
L’année 1995, il a pris part dans la faible colonie Prohor Pcinjski, comme le représentant de L’école Supérieure des Beaux Arts, nomme de la part du professeur Dragana Milosavljevic.La même année il a fini cette école.
Pendant 1996 et 1997, il a etudie l’ecole de la peinture « Sumatovacka » et expose ses oevres.
En 1998, il s’est inscrit à l’Académie des Beaux arts et de la Conservation S.P.C. d'eglise orthodoxe serbe, section de la peinture murale et de la conservation, et il a fini cette école en 2002.
De 1997, il fait les études de l’iconographie et de chant byzantin dans le couvent des Archanges Michel et Gabriel a Kovil, et présent ses ouvrages dans les expositions et activités divers :
- galerie de la scène Crnjanski Belgrade
décembre 1997 exposition collectif

-Galerie des fresques Belgrade 1999
expo collectif

-l’Université Populaire de Ilija Kolarac
Belgrade
- galerie de musique 2000
- galerie de musique 2001
- galerie de musique2002 expositions collective

-Le Palais de duchesse Ljubica Belgrade 2002
exposition collective

-Galerie CZK Stara Pazova février 2004
exposition indépendante

-Galerie CZKT Novi Banovci mars 2004
exposition indépendante

-Musée 25 Mai Belgrade mai 2004
expo collectif des membres de ULUPUDS
L’association des artistes des beaux arts de Serbie

-galerie Singidunum Belgrade Knez Mihajlova septembre 2004
expo collectif des membres de ULUPUDS
L’association des artistes des beaux arts de Serbie.

-galerie CZK Stari Banovci septembre 2006
exposition indépendante.

- galerie International action art center
-Piraeus Athenes Alkiviadou 212-octobre 2006
painting exhibition
UNESCO Club of the Department of Piraeus & Islands


-galerie “Progres” Belgrade janvier 2007
exposition collective
ULUPUDS

-mars 2007 hôtel “Grande Bretagne” Athènes
Promotion des oeuvres et AWARD spécial ,de ça majesté Prince
Juan Arcadio Lascaris Comneno
A Madrid 2007


-14.april-4.maj 2007.godine 39 salon de mai
ULUPUDS “Acceleration” Cara Dusana 45 Belgrade
L’association des artistes des beaux arts de Serbie


-17.-27.april 2007.godine galerie “Singidunum” Belgrade
ULUPUDS L’association des artistes des beaux arts de Serbie







-Expo „Mini format“ ULUPUDS
- Musee Ruma le 18. do 31. mai 2007. Entre la manifestation„La nuit de Musée“
- Srbobran (galerie de la Ville 1 – 11. juni 2007)
- Sokobanja (12 – 21. juni 2007)
- Galerie „Cigota ,Zlatibor“ (25. juni – 4. juli 2007).


-et l’exposition nombreuse de moyenne signification




-Les activités divers :

-Finlande Helsinki,Ilomanci 2001
Concert de chant byzantin ancien.

-BEMUS L’atrium de Musée Populaire 2001
Concert de chant byzantin ancien.

-Russie Moscou 2002
Concert de chant byzantin ancien.

-France Paris avril 2003
Église Saint Roch Paris 2
Pavillons sur les bois
Concert de chant byzantin ancien.

- Inernational action art center-Piraeus Athenes Alkiviadou 212- 2006 UNESCO
Concert de chant byzantin ancien.

-deux CD avant monastere Chilandar-
Le choir Byzantin serbe 2006

-Bulgarie Rousse septembre 2006
Concert de chant byzantin ancien.



Encore des concerts nombreux Centre Sava Belgrade, l’Université Populaire de Ilija Kolarac Belgrade, Théâtre National Belgrade etc…

Pendant 2002, il fait les fresques et les icônes dans le couvent des Archanges Michel et Gabriel a Kovil, aussi les mosaïque pour la chapelle « la place de prière »Belgrade Krnjaca.L’icône Christ entronne pour l’autel de l’église de Vrbas.

Membre de ULUPUDS
L’association des artistes des beaux arts de Serbie depuis 2004.

De decembre2004, a auguste 2007 il travaille a Mont Athos Grece, et fait des fresques et des icônes pour les couvents Chilandar et Saint-Basile en mer.
Il a fait des nombreux icônes, fresques, peintures, dessins et mosaïques.


Awards :

-AWARD, festival l’imaginaire
« Maison des cultures du monde »Paris 2003

-AWARD,oktober 2006 Piraeus Athens Multi –Cultural Center „INTERNATIONAL ACTION ART“ painting exhibition
UNESCO Club of the Department of Piraeus & Islands 2006

- AWARD spécial pour les arts visuel, de ça majesté Prince
Juan Arcadio Lascaris Comneno
A Madrid février 2007





Il vit et travaille a

Generala Mihajla Nedeljkovica 43

Belgrade 11070
Serbie

Tel. Mob. +381[0] 64 1150 267 begin_of_the_skype_highlighting              +381[0] 64 1150 267      end_of_the_skype_highlighting


Email :

Awards:

- AWARD, festival “L’imaginaire”
"Maison des Cultures du Monde" Paris 2003

- AWARD, October 2006 Piraeus Athens Multi-Cultural Center “ART INTERNATIONAL ACTION “ painting exhibition
UNESCO Club of the Department of Piraeus & Islands 2006

- AWARD-(Honorary distinction) as acknowledgment for his achievements in the field of visual arts from His highness prince
Juan Arcadio Lascaris Comneno
In Madrid in February 2007

Concept:
“Personal Ark”
This concept is representing a sublimation of cultural-sociological perception of the world and it’s values, in reference to percept fleethy phenomenons, worlds which disappears from perception of an eye and the mind of the person and groups.

Dead substance is an corpus of the first part of concept and represents a selectivity of “pieces” from the world’s scarpbox, in which person, as a futuristic icon of ancestor Noah, becomes the gatherer, collector of creation. But, today, dead substance, diametrically from remarked happening and person, indicate transfiguration of the world which we belong to.

The corpus of second part of the concept is build by pale reflexion of the subject’s memory, translated and designated on a rigid media, in the case where subject as narrator of colours and illustrations, describes forgotten substance again, by personal and contemplative decision.
The attempt of new Noah to save the icon of one disappearing world, by remembering substance and marking it.

The third part, IHTIS, represents perception of this macrocosm through two points, which are moving together, contacting and impacting on their way, but that’s the reason why their ideological trip is very distributed and in a contraposition.

Summation of heritage of the European man, just like as their confrontation, has an idea how to overcome mortification of significant unit, consigning to singularity of every human being, but specially the man as Homo Habilis, whose peculiarity is articulate in a performance which is giving a tintuation of ambience in which we all are.
The icon of the disappearing world, in attempt to save elements in disintegration of the world he remembered…

The project have 3 parts:

I. Collector
-Collection of interesting substances…shellfish, aftermath, parts of some organisms….
1. Abstract composition build with combine techniques (Anodonta Anatina) associate on butterfly in whirlwind (diptych)
2.Sharks’s whorl (Chondrichthyes) has signed Maltesian cross, two other crosses on painted and vermeiled templates.
3.MYRTACEA EUCALYPTUS INCRASSANTA- the abstract composition
4.SEMEN - PSEUDO KRIN- the abstract composition
5.PLANORBIS CORNEUS
6.Overbloomed blowball in a glass box
7.Shuck of papaver in a glass box
8.Tug’s horn in a box, spiral of a gold intersection
Etc…..

II. Remembering the substance
Build with the pictures and illustrations of creation, of a man, from the embryo phase to the adult person, substance (Subsistence) which I am impressed with, from realism (realistic description) to expressionistic contouring as a pale reflexion of disappeared memories…

III. IHTIS
Leonardo’s schema oh human (Humanistic Ideal) Vitruvius, Christ’s napkin (not made by hand), are the themes of this chapter, representing two oscillated points.


Both samples follows the rule of an gold intersection, but the signification is dissonant. Humanism, a philosophy build on negation of the old authority inspired by summing knowledge (studia humanitates) on a way to perfectionism, man is becoming a God and Christianity, born from the science of Christ, God is becoming a man…
IHTIS should represent man’s escape from this valley of tears, fish which is free, out of Heracles’s “river of life”…
Man, who is walking free again, like a Bach’s “Erbarme dish”…


12Steps to build your own Personal Ark " A convulsive shuddering passed over the rocks on which the 12 steps to build your own personal ark of Leaphigh, but at length consents that I had many and menacing to admit of 12 steps to build your own personal ark union were a good heart, if his naked hand. There were six on the subject of discourse with some 12 steps to build your own personal ark difficulty in coming near his end."

koncept:
"Lična Arka"


Koncept predstavlja sublimaciju kulturološko-socijološkog poimanja sveta i njegovih vrednosti, odnosno sagledavanja prolaznih fenomena, svetova koji isčezavaju iz opažaja oka i razuma pojedinca kao i grupacija.
Vreme i svet koji postaju mrtva tvar oko koje čovek ustrašeno gamiže.
Polazište je pojedinac koji svojim ličnim odabirom i sudelovanjem postaje deo kolektivne svesti i na nju utiče i menja je.

Mrtva tvar je corpus prvog dela koncepta i predstavlja subjektivni odabir « komada » sa smetlišta sveta u kojoj pojedinac kao futuristička ikona praoca Noja postaje sakupljač, kolekcionar konkretnih tvorevina ali danas mrtve tvari, što kao dijametralno od pomenutog dogadjaja i ličnosti, ukazuje na meru preobražaja sveta kome pripadamo ...

Corpus drugog dela koncepta sačinjavaju bledi odsjaji odblesaka sećanja subjekta prevedeni i zabeleženi na čvrsti medij u slučaju gde subjekt kao narator boje i crteža, opisuje zaboravljenu tvar ponovo po ličnom i kontemplativnom odabiru.
Pokusaj novog Noja da sećanjem na tvar i beleženjem, sačuva ikonu jednog nestajućeg sveta.

Treci deo, IHTIS, predstavlja sagledavanje ovog makrokosmosa iz dve tačke koje se kreću zajedno, susreću i sudaraju na svom putu, što njihovu ideološku putanju čini veoma razudjenom i suprostavljenom.
Sabranje svih tekovina evropejskog čoveka, kao i njihovo suprostavljanje je u cilju prevazilaženja problema odumiranja jedinki od posebnog značaja, upućujuci na jedinstvenost svakog bića, a posebno čoveka kao novog Homo Habilis-a čija posebnost je izražena i u delu koje čini obojenje okruženja kakvim ga vidimo.
Ikona sveta koji nestaje u pokušaju da zadrži razigrane elemente u dezintegraciji sveta kakvog ga pamti i kakav postoji...






Projekat se sastoji iz tri dela:

I.
Sakupljač (Colector)
Odabir intrigantnih tvorevina...školjke,plodovi,delovi nekih organizama...

1. Apstraktna kompozicija izvedena kombinovanom tehnikom (Anodonta Anatina) asocira na leptire u vrtlogu. diptih
2.Pršljen ajkule (Chondrichthyes) ima upisan malteški krst, dva krsta na islikanim i pozlaćenim podlogama sačinjavaju ovo delo...
3. Myrtaceae Eucalyptus incrassata -apstraktna kompozicija.
4.Semen-pseudo krin -apstraktna kompozicija.
5. Planorbis corneus

6.Precvetali maslacak u staklenoj kutiji...
7.Mahuna maka u staklenoj kutiji...
8.Ovnov rog u kutiji, spirala zlatnog preseka...


II.
Secanje na tvar
Sastoji se od crteža i slika tvorevine ,čoveka, od embriona do odrasle jedinke, tvari (bića),kojom sam impresioniran, od realizma(realistickih prikaza) do ekspresionističkih skica kao bledih odsjaja isčilelih memorijskih slika,odblesaka...

III.
IHTIS

Leonardova shema čoveka(Humanistički ideal)Vitruvije, Nerukotvoreni obraz Hristov (Not made by hand) ubrus, čine osnovu ovog poglavlja predstavljajući dve pomenute oscilirajuće tacke.

Oba primera slede pravilo zlatnog preseka a smisao je potpuno oprečan...naime humanizam, filosofija uzrasla na negiranju predjasnjih autoriteta podstaknuta sabiranjem znanja (studia humanitates) na putu dostizanja savršenstva, čovek postaje Bog i hrisćanstvo proisteklo iz nauke Bogočoveka Hrista, Bog postaje čovek...
IHTIS treba da simvolizuje izbavljenje čoveka iz ove doline suza, ribu koja je slobodna, van heraklitovske "reke života"...
Čovek koji nanovo slobodno hoda kao u Bach-ovoj "Erbarme dish" iz pasije po Mateji......


Aleksej Daniel Đermanović

Biografija /Curriculum vitae


Aleksej Daniel Djermanović,
rodjen u Parizu 08.oktobra 1972. godine i proveo prvih sedam
godina života, gde je i pokazao prve sklonosti ka umetnosti.
Za vreme osnovnog i srednjeg obrazovanja nastavivši da se
likovno izražava dobija i prve nagrade.

Godine 1993. upisuje V.Š. likovnih i primenjenih umetnosti.Iste
godine izlaže na aukcionoj prodaji slika ULUSP-a u St.Pazovi,
kustos Nikola Kusovac.
Učestvovao na studentskim izložbama, i humanitarnoj izložbi
za ratne vojne invalide 1994. godine.

Godine 1995. učesnik je kolonije Prohor Pčinski predstavljajući
V.Š.likovnih i primenjenih umetnosti,odabran od strane
mentora Dragane Milosavljević.Iste godine i diplomirao.
1996. i 1997. godine pohadjao Šumatovačku skolu slikanja,
i izlaže na godišnjoj izložbi.


1998. godine upisuje Akademiju S.P.C. za umetnosti i konservaciju,
odsek zidno slikarstvo,apsolvirao 2002. godine.

Uporedo od 1997. izucava ikonopis , pojanje i vizantijsku notaciju u manastiru Sv.Arhangela Mihajla i Gavrila u Kovilju.

Izložbe:
-galerija ULUSP-a april-maj 1994. St.Pazova kolektivna izložba

-Galerija scene “Crnjanski” decembar 1997.
Beograd ULU “Djuro Salaj” kolektivna izložba

-Galerija fresaka 1999. kolektivna izložba

-Narodni univerzitet “Ilija Kolarac”
-Kamerna galerija 2000.
-Kamerna galerija 2001.
-Kamerna galerija 2002. kolektivne izložbe




-Konak Kneginje Ljubice 2002. kolektivna izložba


-galerija kuce Vojnovica Indjija februar 2004.
kolektivna izložba povodom dvestogodišnjice srpske državnosti


-galerija CZK Stara Pazova 16.2.-1.3.2004. - samostalna izložba ulja i enkaustika na dasci "Prizori"


-galerija CZKT Novi Banovci mart 2004.
samostalna izložba


-Muzej 25-ti maj
tradicionalna kolektivna izložba clanova ULUPUDS-a


-galerija “Singidunum” septembar 2004.
kolektivna izložba novoprimljenih članova ULUPUDS-a


-galerija CZK Stari Banovci septembar 2006.
samostalna izložba

- oktobar 2006. galerija Piraeus Athens Multi –Cultural Center „INTERNATIONAL ACTION ART“painting exhibition
UNESCO Club of the Department of Piraeus & Islands

-galerija “Progres” januar 2007.
kolektivna izložba clanova ULUPUDS-a

-mart 2007. hotel “Grande Bretagna” Athens
promocija dela I posebno priznanje Grčkog prestolonaslednika
Princa Jovana Arkadija Laskarisa Komnina za doprinos u vizuelnoj kulturi.


-14.april-4.maj 2007.godine 39 majska izlozba
ULUPUDS-a “Ubrzanje” Cara Dušana 45 Beograd


-17.-27.april 2007. godine galerija “Singidunum” izložba slikarsko-graficke sekcije ULUPUDS-a


-Izložba „Mini format“ ULUPUDS
- Ruma(Zavičajni muzej od 18. do 31. maja 2007. u okviru manifestacije „Noć muzeja“ izložbu otvorio Mihailo Pisanjuk

- Srbobran (Gradska galerija, 1 – 11. juni 2007.)

- Sokobanja (12 – 21. juni 2007.

- Galerija „Čigota na Zlatiboru“
(25. juni – 4. juli 2007).
- Galerija Pivo Karamatijević u Priboju.
Od 13. septembra- 01. oktobra 2007. godine
Izlozbu otvorio Raif Dizdarević, dipl.ist.um.

-februar 2008. samostalna izlozba «Lična Arka»
galerija CZK Stara Pazova

-od 20. septembra – 20. oktobar 2008. «Ars Altera Pars»
Muzej Macura Novi Banovci Zenit1

-20.septembar učesnik performansa
«Arheolozi izlaze na svetlost dana» Klaus Golz
«Die Archaologen kommen ans Tageslicht»Klaus Gölz
Muzej Macura
20.9.2008.
Otvaranje u 18 Uhr
U saradnji sa Stalzer gallery Wien

-septembar, idejni projekat (Crux), za kapelu u okviru kompleksa u Muzeju Macura i priprema za oslikavanje proskinitariona
(Deizisni cin i Velikog Saveta Angel)

-od 27. decembra do 17-og januara kolektivna izlozba ikona - Ruski Dom u Beogradu
- od 2. do 12-og aprila kolektivna izlozba slikarsko – graficke sekcije ULUPUDS-a u Centralnom domu vojske Srbije

-31. SALON ARHITEKTURE 26. mart – 30. april 2009. godine – Muzej Primenjene Umetnosti u Beogradu – projekat «Simbioticka Arhitektura»


- septembar 2009. Radovi za projekat « Sainte Geneviève de Paris »- Le chemin de l’icône au XXIème siècle
-« Sveta Genoveva Pariska »-Put ikone XXI-og veka.
-od 26 januara, oslikavanje crkve Svetog Ilije u Staroj Pazovi (Freske u oltaru i ikone za pronaos)

-16. Mart 2010. MIPIM - Salon Arhitekture u Kanu – SIMBIOZIS

--32. SALON ARHITEKTURE april 2010. godine – Muzej Primenjene Umetnosti u Beogradu – grupa «Simbiozis» projekat - Simbioticka Arhitektura
-Tradicionalno Moderno - 28.4.- 12.5.2010. Centralni Dom Vojske Srbije - ULUPUDS . druge aktivnosti:

-Finska Helsinki, Ilomanci 2001.
koncerti drevnog vizantijskog pojanja

-BEMUS Atrijum Narodnog Muzeja 2001.
koncert drevnog vizantijskog pojanja i kompakt disk


Rusija, Moskva 2002.
koncert drevnog vizantijskog pojanja
svečano otvaranje Kulturnog Centra u Moskvi


-Paris Francuska 2003.
27.28.marta crkva Saint Roch Paris 2
i 29. marta Pavillons-sous-bois.
festival l’imaginaire
« Maison des cultures du monde »
koncerti drevnog vizantijskog pojanja

-Mokranjčevi dani 2004.

-Dvodisk “Božić” za manastir Hilandar 2006. Atina i koncert u Pireju UNESCO

-Ruse Bugarska koncert septembar 2006 .

- “Davidovi Psalmi” kompakt disk,projekat hora manastira Kovilja
mart 2008. godine studio RTV Novi Sad


I mnogobrojni nastupi: Centar Sava,Kolarcev Narodni Univerzitet, Narodno Pozoriste Beograd , Atrijum Narodnog Muzeja… i mnogobrojne izlozbe manjeg znacaja…

Tokom 2002. godine izradjuje freske i ikone u manastiru
Sv. Arhangela Mihajla i Gavrila u Kovilju.


Godine 2003-2004. izradjuje prestonu ikonu Hristos na
prestolu za oltar Sabornog hrama u Vrbasu.

Freska Sv Vasilije ostroski,portal hrama Sv. Vasilija ostroskog u Novim Banovcima 2004.

Freske Sv.apostoli Petar I Pavle I Bogorotica “Sirsaja nebes” 2005.god. Hram Sv.apostola Petra I Pavla ,Donji Tovarnik Srem

Od decembra 2004. do maja 2005. boravi I stvara u manastiru Sv. Vasilije na moru {stari pirg Hrusija} pri manastiru Hilandaru Sveta Gora, gde je izradio brojne ikone i freske.

Mozaik “Ladja spasenja”, manastir Sv. Arhangela Mihajla i Gavrila u Kovilju 2005

Ikone za saborni hram manastira Hilandara Sv.Gora 2006.
- 2008.godine

- 14. Mart 2010. Svecana Sala Stare Filharmonije – koncert drevnog vizantijskog pojanja – Sankt Peterburg


Nagrade, priznanja :

-AWARD, festival l’imaginaire
« Maison des cultures du monde »Paris 2003.

-AWARD,oktober 2006. Piraeus Athens Multi –Cultural Center „INTERNATIONAL ACTION ART“ painting exhibition
UNESCO Club of the Department of Piraeus & Islands 2006

-AWARD ,posebno priznanje Grckog prestolonaslednika
Princa Jovana Arkadija Laskarisa Komnina za doprinos u vizuelnoj kulturi. Madrid 2007


-Isecak iz kritike Zorana Milica povodom samostalne ilozbe ‘Prizori’:

Slikar koji nadahnjuje

Prenoseci na hladne manastirske zidove damare svog umetnickog senzibiliteta,istrpeo je neku vrstu interakcije t.j.povratni uticaj drevnih zdanja,sublimirajuci pravoslavnu esenciju.kako u svoju vlastitu vertikalu smisla,tako i u umetnicki izraz,sto je njegovim slikama dalo finu sakralnu patinu i opredelilo formiranje njegovog specificnog habitusa.

Zoran Milic




Zivi i radi u N. Banovcima.

Zemunska 71 Novi Banovci 22304
Srbija

Alternativa :
Generala Mihajla Nedeljkovica 43
Beograd 11070

Tel. +381[0] 22 341 282
Tel. Mob. +381[0] 65 646 37 08
U Grckoj +30 694 092 2 692

Email :





Nagrade, priznanja :

-AWARD, festival l’imaginaire
« Maison des cultures du monde »Paris 2003.

-AWARD,oktober 2006. Piraeus Athens Multi –Cultural Center „INTERNATIONAL ACTION ART“ painting exhibition
UNESCO Club of the Department of Piraeus & Islands 2006

-AWARD ,posebno priznanje Grckog prestolonaslednika
Princa Jovana Arkadija Laskarisa Komnina za doprinos u vizuelnoj kulturi. Madrid 2007


-Isecak iz kritike Zorana Milica povodom samostalne ilozbe ‘Prizori’:

Slikar koji nadahnjuje

Prenoseci na hladne manastirske zidove damare svog umetnickog senzibiliteta,istrpeo je neku vrstu interakcije t.j.povratni uticaj drevnih zdanja,sublimirajuci pravoslavnu esenciju.kako u svoju vlastitu vertikalu smisla,tako i u umetnicki izraz,sto je njegovim slikama dalo finu sakralnu patinu i opredelilo formiranje njegovog specificnog habitusa.

Zoran Milic



Generala Mihajla Nedeljkovica 43
Beograd 11070


Email :