Tempo / Oeil Sonore (2011) Photography by Alberto Crespo

Photography, 11.8x17.7 in
$689.27
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This artwork appears in 1 collections
Souvent cela se passe entre chien et loup, lorsqu’une brume sonore laisse échapper de la salle de concert un peu de musique mêlée aux ambiances interlopes de la ville. C’est le temps « des balances », voici les traces de ces bruits délicieux, envoûtants. Tirage traditionnel argentique 30x45 cm sur papier Foma Velvet, @diamantinolabophoto. Encadré et...
Souvent cela se passe entre chien et loup, lorsqu’une brume sonore laisse échapper de la salle de concert un peu de musique mêlée aux ambiances interlopes de la ville. C’est le temps « des balances », voici les traces de ces bruits délicieux, envoûtants.

Tirage traditionnel argentique 30x45 cm sur papier Foma Velvet, @diamantinolabophoto
Encadré et contrecollé sur aluminium, chêne massif, chez Image Collée, @atelier_image_collee
Signé et numéroté de 1 à 12

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OtherPerforming Arts

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Homme d’images et de sons, après une longue expérience des longs métrages et documentaires, j’ai glané des images, des photographies et des bandes-son aux quatre coins de la planète. J’ai toujours été fasciné...
Homme d’images et de sons, après une longue expérience des longs métrages et documentaires, j’ai glané des images, des photographies et des bandes-son aux quatre coins de la planète. J’ai toujours été fasciné par les poulpes, maintenant je suis devenu un poulpographe. Ma démarche photographique a des multiples facettes qui vont du jazz à l’intime, au désir, à « l’antre-deux », mais mon sujet est un : insaisissable de l'émotion. Le jazz en est un bouillon, par son côté imprévisible, sauvage, vivant, puisqu’il se fabrique en partie pendant son exécution, devant nos yeux et il m'arrive d'être là, pendant sa préparation, dans cette arrière-cuisine où mijotent les accords, les rires et rarement les mots. Ma méthode, c'est fuir le réel et me placer en état de résonance, pour photographier avec mes tympans. Dans une chorégraphie imaginaire, se fait la danse d'une présence discrète mais aux aguets, autour de mon sujet. J'aime les croisements des procédés, peut-être pour faire des voyages intemporels,l'expérimentation, et parfois, fruit de de la superposition de deux moments de la vie à travers le procédé de la double exposition sur pellicule argentique, quelque chose apparaît sous forme de spectre, d'oxymore, de haïku illisible ou juste une trace photographique de l’émotion, du désir, de l'insaisissable objet du désir.

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