THREE ANGELS AND A SERAPHIN (1998) 描画 Robin Mols によって

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この作品について: 分類, テクニック & スタイル 技術 描画 ドローイングは、フラットサポート上で視覚的に表現する手法です。 「ドローイング」という用語は、ドローイングのアクション、結果として生じるグラフィック作品、および任意のオブジェクトの形状の両方を示します。また、色ではなく、オブジェクトまたは図の形状(および場合によっては光と影の値)の表面での表現でもあります。描画手法は多数あります。「線形描画」は、オブジェクトの輪郭、エッジ、およびいくつかの特徴的な線によってオブジェクトを表します。この限界を超えると、多くの場合ハッチングによってボリュームを影で表現することによって描画が展開され、色が組み込まれ、明確な遷移なしに絵画が結合されます。 [...]
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American born in 1947 in Rochester, N.Y., Mols was interested in art at a young age. The son of a composer and gifted flutist, co-founder of the music dept. at the University of Buffalo, Robin was surrounded[...]

American born in 1947 in Rochester, N.Y., Mols was interested in art at a young age. The son of a composer and gifted flutist, co-founder of the music dept. at the University of Buffalo, Robin was surrounded by the sounds of chamber music, opera, jazz, big bands and a lively but serious approach to the classics. He realized early on that the history of art and music is synonymous.
Robin studied art and painting at New Paltz State College, N.Y. from 1965-’67. Then from 1967-’69 he studied painting and graphics at Pratt Institute, NYC. An independent study in Europe rounded out the schooling years.
Mols felt the attraction of the West and in 1970, he moved to Aspen, Colorado to begin his professional career in the arts. The next 11 years were fruitful and diverse. Working in film, design, illustration, portraiture, and the fine arts, he developed the highly stylized figures and landscapes, which would become one of his trademarks. This ethereal style grew alongside his veneration for color and the powerful effect it has on mood and atmosphere, which is evident in his current work.
Over the years Mols has lived and worked in different places in the world: Haiti, Chile, France, Santa Fe, NM, Colorado, and New York, where he currently resides in Eden.
Evolving out of the diversity of the post-modern world where one could move freely between the extremes of realism and abstraction, Mols’ work consistently fused the two ends of the spectrum. In a century that has witnessed a complete transformation of image, he has in his own eclectic way, changed with the times. It is the voice within the artwork that is the central character that he wishes to focus on. Painting remains at the core of Robins’ work.
“The range and vastness of the possibilities that can be explored on a single canvas is as great as it ever was and perhaps ever will be”. RPM

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