Toutes les oeuvres de Kloska Ovidiu
EARINI ORA • 6 oeuvres
Voir tout
THIS SERIES OF PAINTINGS ARE INSPIRED FROM THE FANTASTIC WORLD OF THE FLOWERS AND SPRING TIME CHROMATICS.[...]
THIS SERIES OF PAINTINGS ARE INSPIRED FROM THE FANTASTIC WORLD OF THE FLOWERS AND SPRING TIME CHROMATICS. IS LIKE MIXING IN MY SOUL THIS REGENERATION OF THE LIFE WITH MILIONS OF SHADES OF GREEN, DARK BURGUNDER, YELLOW, ORANGE AND WARM GREYS . THANKS TO MY WIFE , WITCH IS VERY PASIONATE ABOUT THE FLOWERS, I FOUND A GREAT SOURCE OF INSPIRATION. IMAGINE WALKING IN A EXPLODED GARDEN OF INFINITE COLORS ALL DAY AND IN THE NIGHT YOU DREAM ABOUT IT …
KAFKIAN ETERNITY WITH FLOWERS AT 7 PM series • 91 oeuvres
Voir tout
This series of artworks refers to the metaphysical approach to space populated by a pot with flowers,[...]
This series of artworks refers to the metaphysical approach to space populated by a pot with flowers, a near seen like a section of a personal
temporal eternity, where the vegetative elements are transfigured into the metaphysical, transcendent .Thus, at the limit figuration, the immanents of the light becames oniric reflections and transparents, the flower shape became sphere, within which persist the traces of the pass, of the wear, the cyclicity. The series title, although apparently suggestive, is not refering to the absurdity and anguish prosaic present in Kafka's universe, but rather its starts from the idea of freezing of the personal physical time, by a simple meditative exercise of pure contemplation of the close realities transformed by the passing of time.
For me, as an artist, the still life is a perfect excuse to create a vibrant game between the idea of the volatility and the perennial of the world
that we perceive around us, and the essence of the human spirit: the conscience.
My "flowers" are subtle expressions of a meta-reality, where the viewer is invited to meditation, to exercise his spirit, to discover that energy, that forsure we all have it inside us, that resonates with the silence of the begining of begining.
temporal eternity, where the vegetative elements are transfigured into the metaphysical, transcendent .Thus, at the limit figuration, the immanents of the light becames oniric reflections and transparents, the flower shape became sphere, within which persist the traces of the pass, of the wear, the cyclicity. The series title, although apparently suggestive, is not refering to the absurdity and anguish prosaic present in Kafka's universe, but rather its starts from the idea of freezing of the personal physical time, by a simple meditative exercise of pure contemplation of the close realities transformed by the passing of time.
For me, as an artist, the still life is a perfect excuse to create a vibrant game between the idea of the volatility and the perennial of the world
that we perceive around us, and the essence of the human spirit: the conscience.
My "flowers" are subtle expressions of a meta-reality, where the viewer is invited to meditation, to exercise his spirit, to discover that energy, that forsure we all have it inside us, that resonates with the silence of the begining of begining.
THE BOOK OF ANGELS series • 37 oeuvres
Voir tout
"THE SUMMIT OF THE ANGELS …
Ovidiu Kloska, a technician, does not allow his profession to come out[...]
"THE SUMMIT OF THE ANGELS …
Ovidiu Kloska, a technician, does not allow his profession to come out to light. His presence is perfectly shaped and he is open to substantial and unconventional dialogue. He is a painter and a poet in the same time. From another point of view, the rationalism implied by engineering can be found only when navigating the internet and signing his e mails with the exciting formula I AM KLOSKA.
On the rest, we are dealing with a free spirit, open towards the sky of fantasy, where the presence of gladiator angels reign over lucid insomnia and the turn into unusual paintings. The exercise and the performance in modern techniques of advertising design brought him reputation and all this turned into the promoter of painting. Actually, a poet disguised as a painter, Ovidiu KLOSKA wants to propose to modern man another way of imaging, in a way that common elements of traditional painting cannot find their place anymore.
He does not reject the classics, but he does not worship them with endless devotion either. He feels, in everything, just like a free man. His personal touch on every image comes from all this and it focuses almost entirely only on a specific abstract concept. His show in Focsani looked like the perfection of initiation in angiology, the presence of the angels and their lives aiming to ineffable, to mentally estranging from gravity. This is where the idea of the angel comes from, from a theological and artistic point of view. He is not interested in pointless endless discussions about the genre of angels, just like the previous ones, but only in the population of angels that live in the interval.
The interval is actually the space between God inside us and God outside us. Our guardian angel turns into the dominant element of the painting, in different situations. Kloska’s gloses on the subject are original and they lead to insomnia. Mostly that of the spirit called out from agreed upon conventions to propose another manner of negotiation with the sacred and the eternal. Animated spirit by insoluble questions, he goes deep with every piece on the lands of illusions. He does not give any sentences, he just invite us for journeys into the volatile zones of fiction and mister. Kloska never starts to forget from where he start and he doesn't brake himself to affirm that he's sometimes cross by the seductions of the delirium. He is speaking with angels. In a composition with an aspect of baroque unplaite of very well articulated luxuriant lines, he is calling the memory to imagine a possible dialog with the Guardian Angel. The questions sounds real, the answers are equivocal. The tension of the image associates vulnerable armour and cherub diaphans in a spectacle where the trumpets are sound spelling a possible apocalypse. The chromatics is forcing itself with precious Rembrandtian associations but also with loudly grays metallic articulated. In "the first photo session of a guardian angel" the heavy armors are becoming possible burden, fragile carcases where , in fact, the faith is living . Other times, the spectrum of impenetrable nights presumes grave coloring association. even funeral in bacovian key while the orgiastic feast of joining is having the devataiting air of heresy. The proportion between the dark colors and the cluster of gold yellow glitters that is inundating the sky of compositions is bringing to attention the cosmic couple of light and dark. The gushing fantasy, the nocturnal reverberations of the poetry, as the painter said, amplifies the sonority of chromatics and multiplies the dramatic development
of the forms in the graphic space. Not by fortuitous chance, Ovidiu Kloska is hearing the music of spheres and is seeing angels.
The translation between real and imaginary, between the form and the gesture desinhibated from the compulsion of the authority of tradition, is making the painter to reinvent the space from the perspective of a time animated only by the wing flapping of angel fall into sin.
Substantial plastic comments on such a theme proves the configuration of a vision, a implementation of a stylistic. So, adding ourselves to his tireless introspective
thought, but also to his poetic visionary utterance, I think we are really dealing with a real true creator. There, we can say, is a spirit witch is watching over our bourgeois reconciliation with ourselves ... " / Valentin Ciuca, Art Critic
Ovidiu Kloska, a technician, does not allow his profession to come out to light. His presence is perfectly shaped and he is open to substantial and unconventional dialogue. He is a painter and a poet in the same time. From another point of view, the rationalism implied by engineering can be found only when navigating the internet and signing his e mails with the exciting formula I AM KLOSKA.
On the rest, we are dealing with a free spirit, open towards the sky of fantasy, where the presence of gladiator angels reign over lucid insomnia and the turn into unusual paintings. The exercise and the performance in modern techniques of advertising design brought him reputation and all this turned into the promoter of painting. Actually, a poet disguised as a painter, Ovidiu KLOSKA wants to propose to modern man another way of imaging, in a way that common elements of traditional painting cannot find their place anymore.
He does not reject the classics, but he does not worship them with endless devotion either. He feels, in everything, just like a free man. His personal touch on every image comes from all this and it focuses almost entirely only on a specific abstract concept. His show in Focsani looked like the perfection of initiation in angiology, the presence of the angels and their lives aiming to ineffable, to mentally estranging from gravity. This is where the idea of the angel comes from, from a theological and artistic point of view. He is not interested in pointless endless discussions about the genre of angels, just like the previous ones, but only in the population of angels that live in the interval.
The interval is actually the space between God inside us and God outside us. Our guardian angel turns into the dominant element of the painting, in different situations. Kloska’s gloses on the subject are original and they lead to insomnia. Mostly that of the spirit called out from agreed upon conventions to propose another manner of negotiation with the sacred and the eternal. Animated spirit by insoluble questions, he goes deep with every piece on the lands of illusions. He does not give any sentences, he just invite us for journeys into the volatile zones of fiction and mister. Kloska never starts to forget from where he start and he doesn't brake himself to affirm that he's sometimes cross by the seductions of the delirium. He is speaking with angels. In a composition with an aspect of baroque unplaite of very well articulated luxuriant lines, he is calling the memory to imagine a possible dialog with the Guardian Angel. The questions sounds real, the answers are equivocal. The tension of the image associates vulnerable armour and cherub diaphans in a spectacle where the trumpets are sound spelling a possible apocalypse. The chromatics is forcing itself with precious Rembrandtian associations but also with loudly grays metallic articulated. In "the first photo session of a guardian angel" the heavy armors are becoming possible burden, fragile carcases where , in fact, the faith is living . Other times, the spectrum of impenetrable nights presumes grave coloring association. even funeral in bacovian key while the orgiastic feast of joining is having the devataiting air of heresy. The proportion between the dark colors and the cluster of gold yellow glitters that is inundating the sky of compositions is bringing to attention the cosmic couple of light and dark. The gushing fantasy, the nocturnal reverberations of the poetry, as the painter said, amplifies the sonority of chromatics and multiplies the dramatic development
of the forms in the graphic space. Not by fortuitous chance, Ovidiu Kloska is hearing the music of spheres and is seeing angels.
The translation between real and imaginary, between the form and the gesture desinhibated from the compulsion of the authority of tradition, is making the painter to reinvent the space from the perspective of a time animated only by the wing flapping of angel fall into sin.
Substantial plastic comments on such a theme proves the configuration of a vision, a implementation of a stylistic. So, adding ourselves to his tireless introspective
thought, but also to his poetic visionary utterance, I think we are really dealing with a real true creator. There, we can say, is a spirit witch is watching over our bourgeois reconciliation with ourselves ... " / Valentin Ciuca, Art Critic
BEYOND THE INSIDE series • 69 oeuvres
Voir tout
Certainly at my beginnings as a visual artist, in childhood, I camed into contact first with the landscape[...]
Certainly at my beginnings as a visual artist, in childhood, I camed into contact first with the landscape executed in classical manner.
At first I drewed, I have learned the secrets, techniques, their stories. Now the artistic maturity, the figurative manner it no longer creates me the same pleasure.
My wish is at the moment to create a landscape from a mental perspective, a "Mindscape" , a visual plastic confiruration different from the classic one ...
but with a starting point the a real landscape. My "forests" and "clearings" are hiding the forms, they clasify a special romance, turnerian like,
the liberated energy is ethereal, subtle, delicate. A viewer admiring a painting from this series in one of my exhibitions has characterized having
something that its exudes from the glamor and the fascination of the jewelry with precious stones.
All elements of landscape plant undergoes a transfiguration that invites to solitary journeys, both in the macrocosm and in the microcosm. The dynamics and the artistic rhythm are given musicality and light vibration. Basically the concept invites to mental journey into the abyss of being, consciousness, memory and hope.
Ovidiu Kloska
At first I drewed, I have learned the secrets, techniques, their stories. Now the artistic maturity, the figurative manner it no longer creates me the same pleasure.
My wish is at the moment to create a landscape from a mental perspective, a "Mindscape" , a visual plastic confiruration different from the classic one ...
but with a starting point the a real landscape. My "forests" and "clearings" are hiding the forms, they clasify a special romance, turnerian like,
the liberated energy is ethereal, subtle, delicate. A viewer admiring a painting from this series in one of my exhibitions has characterized having
something that its exudes from the glamor and the fascination of the jewelry with precious stones.
All elements of landscape plant undergoes a transfiguration that invites to solitary journeys, both in the macrocosm and in the microcosm. The dynamics and the artistic rhythm are given musicality and light vibration. Basically the concept invites to mental journey into the abyss of being, consciousness, memory and hope.
Ovidiu Kloska
THE WONDERFUL MORNING DREAMS OF ALICE series • 29 oeuvres
Voir tout
For a very long period of my artistic activity, I made compositions in darker tones and shades, especially[...]
For a very long period of my artistic activity, I made compositions in darker tones and shades, especially in the series "The Book of Angels".
I considered a real challenge to make a series in which to explore the chromatic relationships between the dreams and the game idea. Although most of the compositions made
are predominantly abstract compositions, subtle shapes and crossings colors often form majestic birds, flights, detachments and immense falls.
The title refers to Alice in Wonderland, but, just like in other series, the title is a creation in itself. I focused more on the bizarre idea,
fantastic, dreamy, dreamlike. I remember that in my childhood I had colorful dreams, especially during the summer, during the holidays I spent with my grandparents
in an archaic space filled with domestic animals, blooming fruit trees, early morning when I woke up fishing with my grandfather.
When I begin composing in this series I first think of all of this, then I paint leaving me worn by memories from that beautiful period of my life.
Ovidiu Kloska
I considered a real challenge to make a series in which to explore the chromatic relationships between the dreams and the game idea. Although most of the compositions made
are predominantly abstract compositions, subtle shapes and crossings colors often form majestic birds, flights, detachments and immense falls.
The title refers to Alice in Wonderland, but, just like in other series, the title is a creation in itself. I focused more on the bizarre idea,
fantastic, dreamy, dreamlike. I remember that in my childhood I had colorful dreams, especially during the summer, during the holidays I spent with my grandparents
in an archaic space filled with domestic animals, blooming fruit trees, early morning when I woke up fishing with my grandfather.
When I begin composing in this series I first think of all of this, then I paint leaving me worn by memories from that beautiful period of my life.
Ovidiu Kloska
Between the Black and Divine series • 25 oeuvres
Voir tout
black and white oneiric lightscapes
Welded metal sculptures • 6 oeuvres
Voir tout
Original unique welded iron metal sculptures .
All pieces are varnished with special protection layer[...]
Original unique welded iron metal sculptures .
All pieces are varnished with special protection layer to preserve all the welding effects and reflections
Each artwork will be sent with authenticity certificate with name of the collector on it and artist original signature.
All pieces are varnished with special protection layer to preserve all the welding effects and reflections
Each artwork will be sent with authenticity certificate with name of the collector on it and artist original signature.
The childhood of chaos • 3 oeuvres
Voir tout
the childhood of chaos series
I always felt that is a very thin connection between all the human religions[...]
the childhood of chaos series
I always felt that is a very thin connection between all the human religions and the science. The last thories of the creation of the universe are absolutely fascinating. The last great astro-physics minds admits that are many traces that give us signs about the existence of a unique Creator and his “traces” of Creation.
I am fascinating about the idea of BIG BANG… the zero moment of our universe. My background from Technical University where i studied electronics and communication made me an artist that understands our world not only from the view point of the subtle aesthetics that you embrace though arts but from the engineering approach using cuantic physics and the duality theory of the light. In many of my drawings i use graphics from wave modulation that i used to draw in my technical faculty …but in this days the artistic maturity allows me to transform it in petals of energy flowers from example.
I am very interesting in expressing movement from compositions where light and volume contrasts are powerful … i am trying to force the viewer to explore an universe that is reveling exactly in that very moment. The paintings from this series reveals an event of creation,an early creation, calling like a future series of transformation of a sent universe.
There are a lot of strong accents of brushing contrasting with blurry large lighting areas that deceive the viewer.
My forms, volumes, lines, points,structures and not at the last the color relationships of the whole composition I think that in the most cases force you to lost in my creations and to imagine possible next future events. Whatching a Kloska painting of “chaos” makes you for some minutes a creator too.
Some of the paintings are more complicated, more elaborated, some are more simple … but they all invites you to explore not only an artistic version of the childhood of universe but also a inner self mind universe . ” / Ovidiu Kloska / June 2019
I always felt that is a very thin connection between all the human religions and the science. The last thories of the creation of the universe are absolutely fascinating. The last great astro-physics minds admits that are many traces that give us signs about the existence of a unique Creator and his “traces” of Creation.
I am fascinating about the idea of BIG BANG… the zero moment of our universe. My background from Technical University where i studied electronics and communication made me an artist that understands our world not only from the view point of the subtle aesthetics that you embrace though arts but from the engineering approach using cuantic physics and the duality theory of the light. In many of my drawings i use graphics from wave modulation that i used to draw in my technical faculty …but in this days the artistic maturity allows me to transform it in petals of energy flowers from example.
I am very interesting in expressing movement from compositions where light and volume contrasts are powerful … i am trying to force the viewer to explore an universe that is reveling exactly in that very moment. The paintings from this series reveals an event of creation,an early creation, calling like a future series of transformation of a sent universe.
There are a lot of strong accents of brushing contrasting with blurry large lighting areas that deceive the viewer.
My forms, volumes, lines, points,structures and not at the last the color relationships of the whole composition I think that in the most cases force you to lost in my creations and to imagine possible next future events. Whatching a Kloska painting of “chaos” makes you for some minutes a creator too.
Some of the paintings are more complicated, more elaborated, some are more simple … but they all invites you to explore not only an artistic version of the childhood of universe but also a inner self mind universe . ” / Ovidiu Kloska / June 2019
The dew collectors series • 9 oeuvres
Voir tout
" Beginning with July 2014, the idea of this series of pictorial compositions centers on the ancestral[...]
" Beginning with July 2014, the idea of this series of pictorial compositions centers on the ancestral couple, primarily with She and HIM in a nearby oneiric almost devoid bodily harm, in a crespuscular space somewhere boundary tangible universe. The compositions have a special status and are like cosmic dust permeated the beginning, which brings the deformed areas in a volatile energy glimpses of early luminary, fine movements of stellar particles seem to outline the only hint of movement. Pictorial dichotomous splits in cold intangible cosmic space around the couple and seem to wear the dermis of bodies like the eroded lost stars. The atmosphere is set in a time zero in weightlessness forgotten somewhere in nothingness untold. The search for the touch of the two bring them in a non limit composition figurations, in that beautiful presence, his hand, is searching her amfofial body, dressed in a kaleidoscopic colors, in a soft betray of a subtle desire to aproach " Ovidiu Kloska
Me and my fantastic bird • 1 oeuvre
Voir tout
I started this series more figurative from some memories from my childhood. Many years i spent my summer[...]
I started this series more figurative from some memories from my childhood. Many years i spent my summer holidays on a very old village in s-e of Romania in an archaic space full of domestic and wild birds. I ve been always fascinated by the ideea of flight and seeing our world from above.
Chargement...
Reconnaissance
Artiste reconnu
L'artiste est reconnu pour son travail
L'artiste est reconnu pour son travail
Récompensé
L'artiste a remporté des prix et des récompenses
L'artiste a remporté des prix et des récompenses
Publié dans les médias
L'artiste a été publié dans les média, presse radio ou TV
L'artiste a été publié dans les média, presse radio ou TV
Éducation artistique
L'artiste a étudié les arts à travers ses études universitaires
L'artiste a étudié les arts à travers ses études universitaires
Choix de la rédaction
Les travaux de l'artiste ont été remarqués par la rédaction
Les travaux de l'artiste ont été remarqués par la rédaction
Présenté dans des salons d'art
L'artiste participe à des salons et foires artistiques
L'artiste participe à des salons et foires artistiques
Artiste professionnel
Exerce le métier d'artiste à titre d'activité principale
Exerce le métier d'artiste à titre d'activité principale
Biographie
Kloska Ovidiu est une artiste roumaine contemporaine. Son langage visuel se rapporte aux rêves, à l'inconscience, au délire, à l'hallucination, au changement de forme et de lumière, au spontané, à l'illusion, au bizarre, à l'anormal et au normal.
Ovidiu travaille avec différents médiums, dont la peinture, la photographie et la sculpture. Ses peintures dramatiques à l'acrylique sur toile rappellent de magnifiques artistes comme John Martin et JMW Turner. Pendant ce temps, ses sculpteurs sur fer sont des œuvres abstraites et industrielles qu'il classe comme appartenant aux approches stylistiques du brutalisme et du déconstructivisme.
Kloska Ovidiu est né en 1977, en Roumanie, où il est diplômé de l'Université des Arts. Membre de l'Union Roumaine des Artistes Professionnels UAP.
-
Nationalité:
ROUMANIE
- Date de naissance : 1977
- Domaines artistiques: Oeuvres d’artistes professionnels,
- Groupes: Artiste professionnel Artistes Contemporains Roumains
Influences
Formation
2013 - 2016
BACHELOR ART DEGREE GEORGE ENESCU UNIVERSITY OF ARTS IASI ROMANIA
IASI,
Roumanie
2009 - 2011
MASTER ART DEGREE GEORGE ENESCU UNIVERSITY OF ARTS IASI ROMANIA
IASI,
Roumanie
Cote de l'artiste certifiée
Pas encore de données disponibles
Accomplissements
Expositions solo
2011
Memory Mark Painting Exhibition
FOCSANI,
Roumanie
2007
The Summit Of Angel Painting Exhibition
SAINT TROPEZ,
France
Activité sur Artmajeur
Dernière mise à jour: 18 sept. 2024
(Membre depuis 2005)
Vues image: 980 102
Oeuvres de Kloska Ovidiu ajoutées aux collections favorites: 1 335
Dernières Nouvelles
Toutes les dernières nouvelles de l'artiste contemporain Kloska Ovidiu
Ajouté le 14 mai 2019
The memory of the light / Personal exhibition / may-june 2019 / Brasov, Romania / "Patria" Gallery
Brașov, Romania
lundi
20
mai
2019
jeudi
20
juin
2019
I will exhibit a large number of my latest creations in a very beautiful and old town from Romania: Brasov, from 20 of may until 20 of June 2019.
Ajouté le 26 févr. 2019
Painting and metal sculptures exhibition at SPANIA SQUARE GALLERY, Bucharest
Bucharest, Romania
mercredi
22
mai
2019
mercredi
5
juin
2019
A collection of more than 100 original artworks signed by romanian oneiric artist Ovidiu Kloska will be presented in a personal fantastic exhibition at " Piata Spania" Art Gallery from Bucharest !
Ajouté le 20 déc. 2007
KLOSKA PERSONAL EXHIBITION FOCSANI ART GALLERIES
ART GALLERIES FOCSANI, VRANCEA, ROMANIA
jeudi
29
novembre
2007
mardi
8
janvier
2008
" Îngerii lui Kloska zboara prin Europa
Revenit dupa un eclatant succes în Galeriile de la Espace Cotos din Saint Tropez, tânarul artist din Focsani a tinut ca în prag de sarbatori sa arate concitadinilor temeiul pentru care reactiile francezilor au fost elogioase. Nu a fost foarte usor sa realizeze acest lucru deoarece confratii locali nu i-au putut ierta performanta externa. Au facut, altfel spus, tot posibilul ca expozitia sa fie macar bruiata daca nu interzisa de-a dreptul. Dar, cum îl stim pe Ovidiu Kloska, luptator si tenace, vernisajul s-a transformat într-o reala sarbatoare unde multi congeneri i-au fost alaturi.
Temeperamental, artistul pare a fi un extravertit care nu-si refuza tentatiile meditatiilor solitare, fiind angajat în permanente colocvii nocturne cu el însusi, cu lumea invizibila a îngerilor a caror invocare permanenta se metamorfozeaza în substantiale compozitii picturale. Tipul sau de dialog cu universul îngerilor tine de nevoia de a identifica în spatiul intervalului dintre om si divinitate a acestor absente-prezente care permit imaginatiei constructii bazate pe inefabil si revelatie. Respiratia îngerilor si fosnetul aripilor de heruvimi anima structura dramatica a tablourilor unde bucuria privitorului consta în descatusarea de prejudecati. Pictorul vede dincolo de vizibil si simte pulsul astralului ca pe o realitate a visului. Astfel, pe cale directa, comunica cu fiintele transcendente a caror lipsa de materie este compensata de surplusul de spiritual. Vesperalul contine o ambiguitate fertila si deschide un larg teritoriu al posibilului. Realitatea compozitiilor lui tine îndeosebi de posibil decât de stimulii imediatului tangibil. Viziunile lui au logica oniricului prin disponibilitatea de a fantaza pornind de la alte morfologii si sintaxe decât se petrece atunci când artistii lucreaza în priza directa la real. Iata, vom spune, un pragmatic al iluziei, un manager al iluzoriului unde orice investitie sfârseste prin cotatii la bursa spiritului.
Ovidiu Kloska stie ca exista o ierarhie în lumea angelilor si, de aceea, atitudinea nu sfideaza ierarhiile ceresti. Întretine cu fiecare exponent al dublului nostru colocvii nocturne, le aseaza pe trupul de fum armuri medievale si le asculta muzica. Compozitiile lui au, de aceea, prin cromatica si verva tuselor când viforoase, când tandre, o muzicalitate tintind catre muzica sferelor, a universului. Nici tunetele de simfonie, nici tânguirile de bocet strabun nu traverseaza cerul imaginatiei sale, ci doar sonurile fiintei sale interioare. Sensibilitatea îl face sa vada, inteligenta plastica sa exprime ceea ce vede. Totul la el tine de unitatea de atitudine, de mijloace de expresie, de o strategie a imaginarului. Uneori, fascicole de lumina rece traverseaza câmpul imaginii si genereaza o stare de vraja, un specacol al permanentei surprize. Prin surpriza alunga monotonia, iar prin verva o controleaza.
Dublat de un veritabil poet oniric, verbul plastic deschide poarta de acces spre alte dimensiuni si aceasta cutezanta sta bine spiritului tânar. Si-a însusit tehnicile de comunicare moderne si a ajuns, inevitabil, la ideea ca orice forma de confesiune personalizata capteaza mai bine atentia privitorului decât orice obiectivare ce sfârseste în impersonal. Practic, Ovidiu Kloska s-a mutat cu acte în regula în spatiul locativ al propriilor lui himere. Alaturi de acestea exploreaza necunoscutul, fiind însotit în asemenea aventura doar de cei care accepta avatarurile spiritului. Modernitatea lui ramâne permanent cu picioarele pe pamânt spre a putea privi în libertate deplina cerul. Nu renunta la figuratie, dar nici la ademenirile abstractului. Aceasta productiva coabitare face ca arta lui sa nu sfideze privitorul prin aroganta, însa nici nu-l flateaza prin umilinta. Elaborarea propriului concept vizual despre îngeri nu are nimic în comun cu o definitie si ramâne, întelept, la stadiul de dezbatere.
Salut, înca o data, spiritul sau liber si bucuria de a crea ca pe o speranta mereu reînnoita, ca lumea poate fi salvata prin accesul la Frumos… "
VALENTIN CIUCA
Ajouté le 31 août 2007
KLOSKA PERSONAL EXHIBITION october 2007 Saint Tropez - Espace Cotos
34Rue Seillons, Saint Tropez
mardi
2
octobre
2007
samedi
13
octobre
2007
Espace Cotos is one of the well knowed private gallery in Cote d'Azur, in very heart of Saint Tropez. His owner, Georges Cotos, the 92 years artist, is one of the top living legends in modern and contemporary art bay from Europe.
KLOSKA (Ovidiu Closca) was born in Romania, Neamt district,in a small town in N-E of Romania at 27 of july 1977. In 2000 he graduated TEHNICAL UNIVERTSITY "GH. ASACHI " Iasi, Faculty of Electronics and Telecommunication, Digital Radio communication section, and in the present time he is following the master courses at "George Enescu" Art University in Iasi , the cultural capital of Romania.
From the early age he was attracted to drawing and painting. The first art classes received from the teachers of the Art Children House , in this natal city. He finished his high scholl class and right after that he begin to follow the courses of the Technical University in Iasi, a very old and beautiful city , known as the Cultural Capital of Romania. In the same time he begin to visit the art galleries and museums. His skills in transforming and merging the colors and his art vision expands as the time pass and by the end of 1998 he begin to exhibit his drawings and paintings at different Art Student Manifestation in Iasi. Stats to make cover magazines, interior design, poetry graphics, book graphics. His creations are present in private collections in FRANCE, USA, CANADA, AUSTRALIA, MARTINIQUE, L' UNION, GUADELUPE, AUSTRALIA, BELGIUM, SPAIN, PORTUGAL, UK, MOLDAVIA, SOUTH AFRICA AND SWISS.
"Art is my big window to understand and accept ! " - KLOSKA
I cannot imagine how one can possibly see behind this work how much time and effort it took for me to develop this unique space that defines me now. I have discovered angels when I almost got drowned three times the same summer and I pray every time at dawn for God to exist. I have discovered real art in Iasi galleries an in the art albums from the second-hand book seller on Lapusneanu street. I have started then sleeping on pillows smelling like linen, with canvas on the walls and under the bed.
I have never eaten paints, though in the first grades I drunk the water for the aquarelle. And here I am, young, continuously wandering and dedicated, sending invitations to an imaginary park for preserving the soul. Most of the plastic themes used, the symbols and shapes included in my work, are taken out from a reality spoiled by time, and then they are reshaped in a special way in my opinion. The most important theme is the wall.
Constantly fascinated, this dynamism of shape opens up in a unique way, by projecting a sway of mind, a mind performance with neurological circuits. This is my “magic eye”.I believe that by uniqueness begins with the very capacity of inventing universe out of things shattered by time, things that have changed into ephemerity. There are hours that I spend staring at the mud, at the wrinkles of the trees, at the rust of walls damaged by time. It is an exercise that everybody should make. It means worming the spirit, getting in touch with the sublime. I am connected to silence and endless time during the short chat between things. Sublime. Esoteric. … And the night… that cold, fascinating light that makes things change their meaning, driven by an inner tremble that is known from a previous moment, fluttering through images.
My visual relates wit dream, unconsciousness, delirium, hallucination, with the change of shape and light, with the spontaneous, illusion, abnormal and normal.
My name is KLOSKA and I will be you host during your visit to the park of preserving the soul.
FREE ENTRANCE!
Through the galleries
THE SUMMIT OF THE ANGELS …
Ovidiu Kloska, a technician, does not allow his profession to come out to light. His presence is perfectly shaped and he is open to substantial and unconventional dialogue. He is a painter and a poet in the same time. From another point of view, the rationalism implied by engineering can be found only when navigating the internet and signing his e mails with the exciting formula I AM KLOSKA.
On the rest, we are dealing with a free spirit, open towards the sky of fantasy, where the presence of gladiator angels reign over lucid insomnia and the turn into unusual paintings. The exercise and the performance in modern techniques of advertising design brought him reputation and all this turned into the promoter of painting. Actually, a poet disguised as a painter, Ovidiu KLOSKA wants to propose to modern man another way of imaging, in a way that common elements of traditional painting cannot find their place anymore.
He does not reject the classics, but he does not worship them with endless devotion either. He feels, in everything, just like a free man. His personal touch on every image comes from all this and it focuses almost entirely only on a specific abstract concept. His show in Focsani looked like the perfection of initiation in angiology, the presence of the angels and their lives aiming to ineffable, to mentally estranging from gravity. This is where the idea of the angel comes from, from a theological and artistic point of view. He is not interested in pointless endless discussions about the genre of angels, just like the previous ones, but only in the population of angels that live in the interval.
The interval is actually the space between God inside us and God outside us. Our guardian angel turns into the dominant element of the painting, in different situations. Kloska’s gloses on the subject are original and they lead to insomnia. Mostly that of the spirit called out from agreed upon conventions to propose another manner of negotiation with the sacred and the eternal. Animated spirit by insoluble questions, he goes deep with every piece on the lands of illusions. He does not give any sentences, he just invite us for journeys into the volatile zones of fiction and mistery. Kloska never starts to forget from where he start and he doesn't brake himself to affirm that he's sometimes cross by the seductions of the delirium. He is speaking with angels. In a composition with an aspect of baroque unplaite of very well articulated luxuriant lines, he is calling the memory to imagine a possible dialog with the Guardian Angel. The questions sounds real, the answers are equivocal. The tension of the image associates vulnerable armour and cherub diaphans in a spectacle where the trumpets are sound spelling a possible apocalypse. The chromatics is forcing itself with precious Rembrandtian associations but also with loudly grays metallic articulated. In "the first photo session of a guardian angel" the heavy armors are becoming possible burden, fragile carcases where , in fact, the faith is living . Other times, the spectrum of impenetrable nights presumes grave coloring association. even funeral in bacovian key while the orgiastic feast of joining is having the devataiting air of heresy. The proportion between the dark colors and the cluster of gold yellow glitters that is inundating the sky of compositions is bringing to attention the cosmic couple of light and dark. The gushing fantasy, the nocturnal reverberations of the poetry, as the painter said, amplifies the sonority of chromatics and multiplies the dramatic development
of the forms in the graphic space. Not by fortuitous chance, Ovidiu Kloska is hearing the music of spheres and is seeing angels.
The translation between real and imaginary, between the form and the gesture desinhibated from the compulsion of the authority of tradition, is making the painter to reinvent the space from the perspective of a time animated only by the wing flapping of angel fall into sin.
Substantial plastic comments on such a theme proves the configuration of a vision, a implementation of a stylistic. So, adding ourselves to his tireless introspective
thought, but also to his poetic visionary utterance, I think we are really dealing with a real true creator. There, we can say, is a spirit witch is watching over our bourgeois reconciliation with ourselves ...
Valentin Ciuca - Art Critic
Ajouté le 31 août 2007
Press release
Angels and Bizzare onric Art at one of the top european art gallery located in Saint Tropez, France
Ajouté le 14 oct. 2005
Kloska exhibit in Saint Tropez, Frnace at ESpace Cotos Gallery
check the saint tropez newspaper
Ajouté le 14 oct. 2005
Pictorul focsanean Ovidiu Klosca a expus la inceputul acestei luni la Galeriile Georges Cotos din celebra statiune franceza Saint Tropez.
Peste 30 de lucrari, pictura in ulei si grafica pe metal, au fost expuse publicului francez. Faptul ca Ovidiu Kloska este apreciat in lumea rafinata a artei din Hexagon o dovedeste prezenta pe prima pagina a jurnalului din Departamentul Var, "Var-matin" (foto), lucru rar vazut in Franta cu un artist roman si aproape imposibil la noi. Cea mai recenta expozitie a pictorului focsanean in orasul de pe Milcov a avut loc in aprilie-mai a.c., la Galeriile Hidalgo. Absolvent al Universitatii Tehnice "Gh. Asachi" din Iasi in 2000, specialist in grafica si web design, la doar 30 de ani Ovidiu Kolska este deja un nume, dar si un "revolutionar", prin felul in care da metalului viata. Apreciat si recunoscut in Europa de Vest, Canada, Statele Unite ale Americii si Australia, nemteanul stabilit la Focsani este unul din artistii pe care institutiile de cultura din Municipiul Focsani nu stiu inca sa-l aprecieze la adevarata lui valoare. Nu mai vorbim de promovare, atita timp cit singura Galerie de Arta aflata in custodia Consiliului Judetean este deschisa doar pentru a ciocni oua rosii la Pasti si pentru a prezenta traditiile de Craciun. Bravo Ovidiu Kloska! (V. M.)
Ajouté le 14 oct. 2005
Article
Operele centrate pe tema ingerilor sint expuse la Galeriile Hidalgo u artistul exploateaza la extrem si ideea de galerie de arta virtuala u in august, "Ingerii gardieni" ai lui Kloska vor aduce intrebari si raspunsuri francezilor
Devoratorii de arta si filosofie sint asteptati pentru o lectie in lumini
si umbre, detalii si accente, intrebari, raspunsuri si dileme despre ingeri si prezenta lor in viata si constiinta noastra. Prin lucrarile sale, expuse la Galeriile de Arta "Hidalgo" din Focsani, apreciatul pictor Ovidiu Kloska invita la meditatie, delir, durere si revelatie. Vechile nedumeriri metafizice privind incarcerarea spiritului in trupul efemer sint reluate de tinarul artist in imagini pline de rascoliri intime, dureri existentiale, idei si, in cele din urma, raspunsuri. Daca un tratat de filosofie iti deschide calea spre
meditatie si te lasa sa intuiesti, operele cu ingeri ale lui Kloska iti ghideaza mintea si spiritul. Raspunsul e acolo, ascuns ca pentru initiati. Ochii insa il cauta avizi, ca intr-o calatorie spre Cunoastere. Artistul declara ca ingerii sai sint descarnati de rigoarea canonului bisericesc si imbibati de filosofie, metafizica, delir, munca, singuratate si un strop de geniu. Ideile prind contur sub unealta coloristica, pretextul pentru a materializa un ideal. "Adoptind tema ingerului incerc sa ma rup de tot. Imaginile le vad de atitia ani. Fiecare lucrare are un istoric, felul in care percepi realitatea se schimba. Am tablouri pe care am intervenit la mult timp dupa ce pareau a fi gata. In timp, exercitiul te slefuieste", dezvaluie, cu grija
despre arta sa, pictorul Ovidiu Kloska. La intrebarea daca mai sint ingeri in lumea noastra desprinsa de spiritual si ancorata in tenebrele realitatii fizice, artistul striga cu speranta si putere: "Da, mai sint ingeri! Sint peste tot! Ingerul este tema suprema. Reprezinta ideea de zburator, de detasare, carnea este inchisoare, asa te rupi, pleci... Ce simplu ar fi sa fii numai spirit, nemuritor", ne-a mai spus artistul. Operele sale, care pot fi admirate atit in galeriile clasice, unde chiar poti simti mirosul de vopsea si vedea
unduirea pensulei in tente de lumina, dar si in cea virtuala, , incita.
"Perfectiunea unei initieri în angiologie"
De puterea si adincimea lor se vor convinge in august si turistii si locuitorii din Saint Tropez. Celebra statiune de pe Coasta de Azur, ascunde, pe linga plajele superbe, si Galeriile de Arta ale unui artist roman plecat la virsta de 20 de ani in Franta, George Cotos. Ingerii lui Kloska isi vor gasi la "Espace Cotos" noi perechi de ochi si minti avide de cunoastere si calatorie. Artistul, care isi semneaza operele cu amprenta degetului mic inconjurata de bare, tocmai pentru a da ideea de spatialitate si drum spre idealuri si esente, spune ca a descoperit ingerii cind era sa se inece de trei ori in aceeasi vara. "Expozitia de la Focsani a semanat cu perfectiunea unei initieri în angiologie, viata si petrecerea îngerilor tintind starea de inefabil, de desprindere mentala din constringatoarele chingi ale gravitatiei. Artistul sta de vorba cu îngerii. Întrebarile suna adevarat, raspunsurile sint echivoce. Tensiunea imaginii asociaza armuri vulnerabile si diafanitati de heruvimi într-un spectacol unde trimbitele anunta posibile apocalipse. Cromatismul se impune prin asocieri pretios rembrandtiene, dar si prin sonore griuri metalic
articulate. Raporturile dintre culorile înc hise si jerbele de scinteigalbene ce inunda cerul compozitiilor aduce în atentie cuplul cosmic al luminii si întunericului. Oscilatia între real si imaginar, forma si gest dezinhibat de constringeri impuse de autoritatea traditiei, face ca pictorul sa reinventeze spatiul din perspectiva unui timp animat doar de filfiirea unicei aripi a îngerului cazut în pacat", scrie, despre Ovidiu Kloska, criticul de arta Valentin Ciuca. (Iulia CRETU)
Ajouté le 14 oct. 2005
September 2007
... finishing "Time is my fuel station ... from the series of "The Book of Angels" ... focsani studio
Ajouté le 14 oct. 2005
March 2007
finishing "Angel playing at spheres" ... Focsani studio
Ajouté le 14 oct. 2005
Artist statement
"I cannot imagine how one can possibly see behind this work how much time and effort it took for me to develop this unique space that defines me now. I have discovered angels when I almost got drowned three times the same summer and I pray every time at dawn for God to exist. I have discovered real art in Iasi galleries an in the art albums from the second-hand book seller on Lapusneanu street. I have started then sleeping on pillows smelling like linen, with canvas on the walls and under the bed.
I have never eaten paints, though in the first grades I drunk the water for the aquarelle. And here I am, young, continuously wandering and dedicated, sending invitations to an imaginary park for preserving the soul. Most of the plastic themes used, the symbols and shapes included in my work, are taken out from a reality spoiled by time, and then they are reshaped in a special way in my opinion. The most important theme is the wall.
Constantly fascinated, this dynamism of shape opens up in a unique way, by projecting a sway of mind, a mind performance with neurological circuits. This is my “magic eye”.I believe that by uniqueness begins with the very capacity of inventing universe out of things shattered by time, things that have changed into ephemerity. There are hours that I spend staring at the mud, at the wrinkles of the trees, at the rust of walls damaged by time. It is an exercise that everybody should make. It means worming the spirit, getting in touch with the sublime. I am connected to silence and endless time during the short chat between things. Sublime. Esoteric. … And the night… that cold, fascinating light that makes things change their meaning, driven by an inner tremble that is known from a previous moment, fluttering through images.
My visual relates with dreams, unconsciousness, delirium, hallucination, with the change of shape and light, with the spontaneous, illusion, abnormal and normal, bizarre and wear.
My name is KLOSKA and I will be you host during your visit to the park of preserving the soul.
FREE ENTRANCE! "
Ajouté le 14 oct. 2005
Pictorul Ovidiu Kloska ne imbie la calatorii in mister
S-a nascut la 27 iulie 1977, la Roman, in judetul Neamt. Povestea pictorului Ovidiu Kloska nu este una simpla, lineara, usoara. Nu a fost un rasfatat si nici ferit de greutatile vietii. Pina la un punct nici macar cele doua surori, parintii, nu i-au fost alaturi, nu au crezut in talentul lui, in puterea care l-a ajutat sa-si atinga telul. A inceput asa cum incep toti pictorii increzatori in steaua lor, facindu-si griji pentru ziua de miine, fara un ban in buzunar, vinzind lucrari pe un dolar sau, cel mult, pe noua! La Focsani a ajuns dintr-o socoteala simpla. Orasul i s-a parut mai deschis din punct de vedere cultural decit Romanul natal, cu persoane dispuse sa investeasca in arta. Teoretic socoteala s-a dovedit buna, practic insa... A crezut si s-a bazat pe prieteni raminind insa, in scurt timp, pe cont propriu, prins intr-un stil de viata ostil care i-a "inghitit" si ultimii bani, mai mult s-a trezit abandonat - cum e mai rau – si de inspiratie. A avut insa noroc. Pe margine de prapastie a fost salvat de exceptionalul sau talent, de increderea in sine, de firea de luptator, de persoane straine care i-au intins un deget de ajutor la momentul potrivit. Doua expozitii de grafica, la Iasi, i-au aratat ca este pe drumul cel bun. Nu s-a putut bucura prea mult, nu mai avea putere, se simtea secatuit. O intilnire cu totul speciala i-a schimbat existenta din nou: JULIETA, o femeie frumoasa, desteapta si voluntara, care i-a devenit sotie, i-a daruit si doi copii. Din acel moment pictorului KLOSKA i-a mers bine, a lucrat foarte mult, a fost prezent in expozitii in tara si strainatate, a fost apreciat de criticii de arta si de colectionari.
Calatorii in iluzoriu
Ultima expozitie din 13 noiembrie 2008, de la Institutul Cultural "George Apostu" din Bacau, s-a bucurat de mare succes. "Spirit animat de interogatii insolubile, el avanseaza cu fiecare opera pe teritoriile iluzoriului. Nu da sentinte ci face doar invitatii pentru calatorii in zonele eterate ale fictiunii si ale misterului. Cred ca avem a face cu un creator in toata puterea cuvintului", scria criticul de arta Valentin Ciuca. Cita dreptare are, daca ne gindim doar la micile portrete expuse de curind, compuse din brunuri intunecate, dar nu sumbre, din care tisnesc sori minusculi de un alb de gheata insufletind aceste entitati care aparent nu vad, nu aud decit muzicile Edenului paradisiac. Portretele sale, naturile statice, care sint tot un fel de portrete, florile, sint puternice, impunindu-si personalitatea care concentreaza in sine culoare, valori, efecte. Prin tot ce face Ovidiu Kloska este un tip special, de prezenta caruia ar trebui sa ne bucuram. El ne ofera o alta viziune asupra artei, dar si a vietii. Daca ar fi sa trag o linie, as scrie dedesubt: Ovidiu Kloska este un OM care se desfasoara, creste si se innoieste, prinde puteri odata cu virsta. Un astfel de personaj a fost si ... – si imi face mare bucurie sa impartasesc cu dumneavoastra acest gind - a fost aidoma lui ALBERT CUYP care a trait pina in 1691, care n-a fost gustat la vremea sa, desi era desavirsit in originalitatea artei sale. Ceea ce nu l-a impiedicat sa picteze cum il taia capul, urmind in cariera sa numai inspiratia momentului. Pentru timpul sau, ALBERT CUYP a fost, desigur, un OVIDIU KLOSKA postmodernist. (Janine VADISLAV)
N. R. Ziarul de Vrancea i-a adresat jurnalistei Janine Vadislav invitatia de a scrie despre pictorul focsanean Ovidiu Kloska. Acesta o considera o „prietena a artei” sale, intr-un „oras neprietenos” cu tinerii artisti din noua generatie.
Ajouté le 14 oct. 2005
“Urma memorie”, nou vernisaj Ovidiu Kloska
Vernisajul va avea loc la ora 18.00, la Galeriile de Arta din Focsani. Lucrarile artistului vrincean vor putea fi admirate de publicul larg in perioada 13-25 noiembrie. Pentru aceasta colectie, Kloska va avea alaturi si vinurile casei Vincon. De altfel, la vernisajul de pe 14 noiembrie se pregateste si o degustare de vinuri. Cei care vor sa vizualizeze lucrarile Ovidiu Kloska, pot accesa si site-ul artistului, . Lucrarile acestuia au fost expuse de-a lungul timpului si in galerii de arta de peste hotare, artistul avind atelierul de lucru undeva la iesirea din Focsani. Evenimentul de pe 14 noiembrie este organizat de Directia de Cultura, Culte si Patrimoniu Cultural National. “Ziarul de Vrancea” este partener media al acestui eveniment cultural. (I. C.)
Ajouté le 14 oct. 2005
Artistul plastic Ovidiu Kloska: „Viata este opera de arta suprema!” De, Silvia Vrinceanu Nichita | 16.11.2009
Artistul focsanean Ovidiu Kloska si-a vernisat simbata seara cea mai recenta expozitie de pictura si grafica, „Urma memorie”, la Galeriile de Arta din Focsani, in prezenta prietenilor care-i iubesc creatiile dar si a oamenilor de cultura din anturajul artelor vrincene. Arta sa neconventionala, in care combina culorile cu tot felul de alte lucruri patinate de timp, cum ar fi metalul, lemnul, cartonul sau chiar sirma ruginita, imbraca forma post-modernista a unor picto-obiecte care se cer contemplate minute in sir. Artistul experimenteaza o recliclare a artei moderne, prin „arsurile” sau petele brune-ruginii care-si lasa amprenta pe lucrarile sale. Unii gasesc chiar accente rupestre in lucrarile semnate de Ovidiu Kloska. Piesa centrala a expozitiei este o compozitie cu un inaltator aer gotic, in care Iisus este strapuns cu o sulita in inima si care accentueaza dramatic suferinta sa pentru OM, ca o metafora a credintei. Compozitia intriga privitorul si il obliga sa treaca dincolo de cunostintele sale religioase, dincolo de simturi. „Este o invitatie la filozofie”, spune artistul. Si alte tablouri au acelasi aer mistic, in care se poate ghici aureola cite unui sfint intunecat de poluarea morala si prozaicul cotidian. Chiar daca este doar o expozitie de palmares, dupa cum a catalogat-o chiar artistul, Ovidiu Kloska a atasat si etichete de pret lucrarilor sale, cu preturi de criza. Amatorii de introspectii si calatorii in amprentele psihanalitice ale memoriei pot vizita expozitia pina pe 25 noiembrie. La Galariile de Arta il pot gasi pe artist in fiecare seara, intre orele 18.00 si 20.00. Tot in cadrul vernisajului, Ovidiu Kloska si-a lansat si editia limitata a calendarul sau pentru anul 2010, ce cuprinde imagini ale lucrarilor din noul ciclu intitulat „Flori pentru Kafka”. Autorul promite sa ne desfete ochii cu florile sale metafizice in primavara anului viitor. Chiar daca lucrarile sale se afla in colectii private din strainatate, pe sume deloc de neglijat, in Focsani putini sint cei care isi permit sa investeasca in arta de calitate si implicit in talentul unor artisti tineri. (Silvia VRINCEANU)
„Nu cred ca exista o piata de arta in Focsani”
Ziarul de Vrancea a incercat sa afle care este filosofia despre viata si arta a pictorului Ovidiu Kloska, nascut la Roman, dar „naturalizat” in ceata culturala a orasului Focsani. Iata un scurt interviu cu artistul.
Ziarul de Vrancea: Care este mesajul transmis publicului prin expozitia „Urma memorie”?
Ovidiu Kloska: Mesajul meu este simplu: sintem trecatori, sintem doar urme in perenitatea umanitatii.
ZdV: Merge melancolia pina la depresie in lucrarile tale? Am observat ca folosesti culori inchise, gotice, stilizate si ca lasi privitorul sa ghiceasca mesajul ascuns in acuarela.
O. K.: Cromatica inchisa duce la ideea de noapte, de clar-obscur, lumina in cantitati mici poate energiza mult mai puternic lucrurile. Le poate face sa licareasca, le poate schimba valenta, perceptia se poate schimba de la o secunda la alta: e ca atunci cind privesti o bucata de jar in noapte.
ZdV: Ce parere are Ovidiu Kloska despre viata?
O. K.: Viata este opera de arta suprema! Mai ales sa dai nastere unei fiinte - omul este cea mai fascinanta creatie.
ZdV: Cum s-au nascut picto-obiectele? E un curent relativ nou in arta vizuala?
O. K.: Nu este un curent nou in nici un caz ... Arta contemporana a suferit incepind cu "revolutia" lui Duchamp o expandare extraordinara, nu mai exista nimic nou care sa socheze, practic traim era conceptului si a experimentului.
ZdV: Obiectele incluse in pictura au si o valoare sentimentala pentru tine? Ma gindesc ca balamalele atasate unui tablou ar fi putut deschide cindva portile bunicilor....
O. K.: Toate "obiectele" incluse in compozitiile mele au fost alese pentru plasticitatea si puterea lor de expresie, rezultatul final este mult mai important pentru mine si de care ma atasez puternic.
ZdV: Ce filon artistic te ghideaza in acest univers?
O. K.: Sint citiva artisti mari care mi-au "format" directia si felul in care vreau sa traiesc in aceasta frumoasa familie numita ARTA. As aminti un artist polonez foarte apreciat in tarile asiatice mai ales, Zladislav Beksinski, un pictor extraordinar din punctul meu de vedere.
ZdV: Avem o piata de arta in Focsani?
O. K.: Nu cred ca exista asa ceva in Focsani ... Nu avem nici macar un nucleu de artisti care sa "conlucreze" impreuna, din pacate. Coexistam cu totii intr-un defazaj puternic fata de ceea ce inseamna lumea artei la ora actuala. Traim cu 50 de ani in urma!
ZdV: Atunci cum supravietuieste arta, cum se finanteaza artistii?
O. K.: Exemplul meu este unul fericit: am invatat, pe linga a lucra si crea in atelierul mic de pe strada Vrancei, un pic de management artistic, un pic de web si graphic design, am considerat internetul prietenul meu si o sansa extraordinara in a te promova si a te face cunoscut in lumea artelor vizuale. Majoritatea colectionarilor mei sint din afara Romaniei, in special din Statele Unite si Canada.
A consemnat Silvia VRINCEANU
Ajouté le 14 oct. 2005
Article
Kloska was in Romania, Neamt district,in a small town in N-E of Romania at 27 of july 1977.In 2000 he graduated TEHNICAL UNIVERTSITY "GH. ASACHI " Iasi, Faculty of Electronics and Telecommunication, Digital Radio communication section.
From the early age he was attracted to drawing and painting. The first art classes received from the teachers of the Art Children House , in this natal city. He finished his high scholl class and right after that he begin to follow the courses of the technical university in Iasi, a very old and beautiful city , known as the Cultural Capital of Romania. In the same time he begin to visit the art galleries and museums and he started to study arts at "George Enescu " aRt University, painting and drawing class. His skills in modeling the colors and his art vision expands as the time pass and by the end of 1998 he begin to exhibit his drawings and paintings at different Art Student Manifestation in Iasi. Stats to make cover magazines, interior design, poetry graphics, book graphics. A experience of 5 years in graphic and web design give him the power to create ART STUDIO KLOSKART , were he paint with his friends. A new art group was born in this small city, Focsani. Their individual visions of art & life are present in private collections in FRANCE, USA, CANADA, AUSDTRALIA, MARTINIQUE, L' UNION, GUADELUPE, AUSTRALIA, BELGIUM, SPAIN, PORTUGAL, UK, MOLDAVIA, SOUTH AFRICA AND SWISS.
ART IS MY WINDOW TO UNDERSTAND AND ACCEPT !
Avis et commentaires
Ici, un grand talent avec une maîtrise technique qui vous souffle !
Merci beaucoup !
Your abstract work is truly mesmerizing. The way you play with colors and shapes creates a profound depth, inviting the viewer into a unique visual journey. Outstanding artistry!
Votre travail abstrait est vraiment fascinant. La façon dont vous jouez avec les couleurs et les formes crée une profondeur profonde, invitant le spectateur à un voyage visuel unique. Un talent artistique exceptionnel !
It looks very interesting!
Very rich colours! Exellent!
Your sculptures sre superb!
Natha
•
Très spécifique cette partie centrale de tableau dans vos oeuvre, une vraie signature. C'est lié à votre technique d'avoir cette zone centrale de haut en bas très marquée ?
Bien à vous
très beau semblable a un comte merci et bravo
Bravo pour ces magnifiques œuvres !
Thank you very much for your apreciation !
C' est une belle composition!
An angel of the purest forms, made up of tears and dreams.
Très jolies couleurs, très douces.
Very beautiful job.
Bravo à vous J adore ce que vous faites c est un vrai plaisir des yeux bonne continuation
Onirique universe …Amazing thoughts ……An excellent art with gesture.. I like your pictorial walk ! Best
regards !
Magnifique !! Beau travail !!
i do not use digital images for creating my art ... this is 100 % hand gestural lightscape with own tehnique that i developed in the last years. thanks, Kloska
Contacter Kloska Ovidiu
Envoyer un message privé à Kloska Ovidiu