Etang situé à ANNAY SOUS LENS Pas de calais (2014) Painting by Jean-Marie Lamare

Not For Sale

Sold by Jean-Marie Lamare

Digital licensing

This image is available for download with a licence

$32.47
$129.88
$270.58
Max resolution: 621 x 650 px
Download immediately upon purchase
Artists get paid their royalties for each sales

Sold by Jean-Marie Lamare

Certificate of Authenticity included
This artwork appears in 4 collections
  • Original Artwork Painting, Tempera
  • Dimensions Height 31.5in, Width 31.5in
  • Categories Paintings under $5,000 Figurative
Peinture inédite de l'artiste sur toile- cette peinture est un coin de nature à ANNAY-SOUS-LENS, là où , je vais pêcher la truite. Ce coin de paysage est trés joli et j'ai choisi la saison et le moment de la journée pour avoir les meilleurs lumiéres. Encadrement caisse américaine ( sur demande). Voir curriculum et biographie- Drouot[...]
Peinture inédite de l'artiste sur toile- cette peinture est un coin de nature à ANNAY-SOUS-LENS, là où , je vais pêcher la truite. Ce coin de paysage est trés joli et j'ai choisi la saison et le moment de la journée pour avoir les meilleurs lumiéres. Encadrement caisse américaine ( sur demande).
Voir curriculum et biographie- Drouot cotation en 2002 - "la riviére gelée" 1357 Euros
Contact :

Related themes

Tempéra Sur Toile

Automatically translated
Follow
Jean Marie LAMARE 69 - "A TEMPERA" painter on wooden panels Exposes France and abroad since 1979 Siret No.: 43475757100030 References: AKOUN: 2001-2007 QUOTES[...]

Jean Marie LAMARE
69 - "A TEMPERA" painter
on wooden panels
Exposes France and abroad since 1979
Siret No.: 43475757100030
References:
AKOUN: 2001-2007
QUOTES DROUOT: 2002-2003-2007
Room sales of LILLE: 2001
Contact me:
E-mail: ."

BIOGRAPHY

About my painting "A TEMPERA" on wooden panels

"A tempéra" painting is that of the primitive: frescoes of lascaut-Byzantine icons - decorations of the sarcophagi in ancient times. It is composed of pigments mineral, plant or animal which the binder is an aqueous solution, so a cement. This painting is remarkable by its flexibility, its strength, its resistance to aging, I think I can say that it jaunira not, being free of oil. You should know that the yellowing of a painting also comes from the varnish which darken.
I often ensures the protection of my painting by running a varnish in the buffer as the EE century XVIII.
This technique has all the resources of oil, with more, fresh and light of a fresco. It gives me full satisfaction to share "" the memory of our childhood"."
Jean CATHELIN, critical art said: LAMARE is a painter. This is not a naive, but rather a true primitive Flemish to today. This still exists in 1981, and are those that can surprise us by creating new and quite unexpected things as did many others in the era of the VAN EYCK, with BOSCH and BRUEGHEL. You expect much of him. But already, it gives us the pleasure of a dream world, which I do not think that it is never dèpartisse.
Bernard ROQUE said: Rare master of tempera in France, LAMARE returned to the Gallery of the old mill to enchant us with his works to the amazing glaze. Indisputable heir of the great Flemish, LAMARE reminds us, however, if we have forgotten it, the beauty of a highly developed art, a solid design, miniature long chiselled, a strange brightness served by color output of the mortar of the Alchemist. In short, the magic of the tempera. Artist very coveted, LAMARE is necessary as a safe value.

See more from Jean-Marie Lamare

View all artworks
Painting on Wood | 7.9x7.9 in
Not For Sale
Painting | 8.7x10.6 in
Not For Sale
Painting on Wood
Not For Sale
Painting on Wood | 7.9x7.9 in
Not For Sale

Artmajeur

Receive our newsletter for art lovers and collectors