L'amour est mort (2013) Collages by Mario Venza

Collages on Wood, 47.2x35.4 in
$1,801.4
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One of a kind
Artwork signed by the artist
Certificate of Authenticity included
This artwork appears in 28 collections
  • Original Artwork (One Of A Kind) Collages, Collages on Wood
  • Dimensions Height 47.2in, Width 35.4in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Collages under $5,000
Si tratta di un quadro realizzato con ritagli di riviste. L'idea mi è venuta leggendo questa frase, scritta sui muri di Parigi. Leggendola, mi ha dato l'impressione che si trattasse di un appello, di un annuncio, uno di quei annunci che si inseriscono sui giornali. Ecco il motivo per cui ho usato ritagli di carta. Andando[...]
Si tratta di un quadro realizzato con ritagli di riviste. L'idea mi è venuta leggendo questa frase, scritta sui muri di Parigi.
Leggendola, mi ha dato l'impressione che si trattasse di un appello, di un annuncio, uno di quei annunci che si inseriscono sui giornali.
Ecco il motivo per cui ho usato ritagli di carta.
Andando più a fondo alla questione, ho ricordato che "l'amour est mort" è il titolo di una canzone di Jacques Brél.
Ho deciso, quindi, di fare 4 quadri con quattro titoli di canzoni del cantautore francese. In questo modo, mi pare di dare continuità al sentimento: il mio concetto è rendere immortale il sentimento d'amore.
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Mario Venza is a contemporary Italian artist. The artist has been drawing, sculpting, and painting with dedication since the early 1970s. He depicts the unique evolution of the[...]

Mario Venza is a contemporary Italian artist. The artist has been drawing, sculpting, and painting with dedication since the early 1970s. He depicts the unique evolution of the human kind in his paintings. He observes people, often awkwardly, and portrays them as being like objects as time passes without incident. In the metaphorical world of the artist, forms change and combine with one another to produce a new spatial rhythm.

The Artist was highlighted in an article in Artmajeur Magazine:

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