Lauren B Painting by Iza Zaro

Sold by Iza Zaro

Certificate of Authenticity included

Original Artwork Painting, Acrylic on Fabric

Artworks classification

Original Artwork

Original Artwork refers to any work that is considered authentic and not a copy or imitation of the original works of an artist. Original artwork can be any type of painting, sculpture, performance, or other media. There are many types of original media. Mixed media includes oil, acrylic, and watercolor paintings. For workshop paintings that bear evidence of master craftsmanship, this attribution must be further qualified. While they may be less valuable for different reasons, reproductions and copies have had a tremendous impact on our experience. They reach a greater audience than originals and act as a tonic against commodification. Original Artwork could also refer to the first work, which is always preceding all others. It could also refer to a prototype or a model from which other works can be made. Each work bears great similarities to the original.
Dimensions Height 38.2in, Width 51.2in
Categories Pop Art

technique mixte sur toile About this artwork: Classification, Techniques & Styles Acrylic Paint using traditional pigments mixed with synthetic resins. [...]

Iza Zaro

France

From screen printing to stencil, Cognitive Schemas…An impression or the technique of printing, from screen printing to wood engraving, from batik to stencil, IZa Zaro Pop Street Art painter and French urban activist draws her path according to his meetings to just come close to color transmission.
His career explains this requirement to mix techniques to better speak about us... hence his collaborations with street art artists such as Jérome Mesnager.
After working on technique, IZa Zaro released a series without dogma, all feminine and even linked to the Femen movement. I am not a saint, Cognitive Schemas II,,,
Following trips to Eastern countries such as Azerbaijan, Ukraine and Russia, Africa with Morocco, Senegal and Tunisia, North America with NY, Boston, LA, San Francisco, Middle East in Israel and the West Bank or even in Europe his reflection on the condition of women in a world dominated by men, the pressure from the street and his extreme behavior pushed him to demand simple rights.
Reading feminist philosophers like Elisabeth Badinter or Simone de Beauvoir and the presence of artists linked to the limit such as Epsylonpoint pushed her to understand that man, through the projection of his fantasies, broke women in this period dominated by dogmas.
Her latest creation “The Identity of a Blonde” seeks to represent all the complexity of a woman using simple effects such as the inversion of sky and earth, floor and ceiling. Her installation presents her personal story mixed with that of the Woman, from her birth to her beliefs, narrating through images the thread of her life. She defines herself as a link, a conduit to transmit what she has experienced, using mixed techniques.
Her work appears jovial and infantile while it bears suffering and sweats from intimate wounds that she reveals to us. The public is therefore the last link which makes the choice to stop at the surface of the work or to take the risk of taking a further step to enter into the artist's head: I am not a saint, I am!

The wood engraving and the paper stencil thus symbolize the woman who is so strong and yet fragile.

Isabelle Judith Aviva Hée, better known under the pseudonym IZa Zaro lives in Paris in France where his mother introduced him to drawing in her workshop with the strong smell of marker.
Graduated from the Ecole Nationale Supérieure des Arts Appliqués et Métiers d'Art in Paris in 1987 (textile design/screen printing) and from the Corvisart School of Graphic Art in Paris in 1985 (letter design/typography/surface advertising).
Introduction to the African Batik technique during an artistic exchange in St Louis in Senegal in 2003 and to the technique of images engraved on wood and etching at the Ecole Nationale Supérieure des Art Appliqués Duperré