21 obras de arte por A. Bento De Oliveira (Selección)
Descargar como PDFCalligrams - Linear Poetry (Appolinaire vs. Foucault) • 21 obras de arte
Part of the constant search for the artist is to rediscover new forms of expression. Some use a technique[...]
Part of the constant search for the artist is to rediscover new forms of expression. Some use a technique that shows visualy or audibly, with an even more profound effect on the public.
Apollinaire is considered the originator of the modern calligram and the direct source for the authors of calligrams of the “avant-garde” in Europe. Although this can be argued, it must be recognized that the French author occupies, along with Marinetti, a prominent role in the visual formalization of poetry.
"Relations between the drawing and the meaning may be iconic, symbolic or emblematic;" never arbitrary, although sometimes it may be the case. It is worth emphasizing that, in any case, graphical structures and writing work together to the same extent in the development of the global senseof poetry" - J. Ignacio Velázquez.
Much has been said and studied about the calligrams, however, all that can be said is that the artist is a poet, a melody, he’s a graphic descriptor of what the poem means; i.e., the work becomes an ideographic poem and from here we envision the calligrams.
In his essay on Magritte, Michel Foucault analysed precisely from these competitions, the division between sign and image, and aword and an icon.
"The calligram aims to ludicrously suppress old opposing forces of our civilisation: show and name, appear and say, play and articulate, look at and read. When read, vision is shut; When viewed, reading is hidden. Whithin the calligram thus they both act against each other to "not speak yet" and "no longer represent" - Michel Foucault
In my view, it is up to the viewer a more in-depth analysis on the idea of the calligram under the opposing perspectives of Apollinaire and Foucault.
Apollinaire is considered the originator of the modern calligram and the direct source for the authors of calligrams of the “avant-garde” in Europe. Although this can be argued, it must be recognized that the French author occupies, along with Marinetti, a prominent role in the visual formalization of poetry.
"Relations between the drawing and the meaning may be iconic, symbolic or emblematic;" never arbitrary, although sometimes it may be the case. It is worth emphasizing that, in any case, graphical structures and writing work together to the same extent in the development of the global senseof poetry" - J. Ignacio Velázquez.
Much has been said and studied about the calligrams, however, all that can be said is that the artist is a poet, a melody, he’s a graphic descriptor of what the poem means; i.e., the work becomes an ideographic poem and from here we envision the calligrams.
In his essay on Magritte, Michel Foucault analysed precisely from these competitions, the division between sign and image, and aword and an icon.
"The calligram aims to ludicrously suppress old opposing forces of our civilisation: show and name, appear and say, play and articulate, look at and read. When read, vision is shut; When viewed, reading is hidden. Whithin the calligram thus they both act against each other to "not speak yet" and "no longer represent" - Michel Foucault
In my view, it is up to the viewer a more in-depth analysis on the idea of the calligram under the opposing perspectives of Apollinaire and Foucault.
"I'm He that Aches with Amorous Love(Poem by Walt Whitman)"
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"The Waves / Las Olas - Virginia Woolf"
Oleo | 14,2x96,9 in
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"Desire is Dead (Poem by DH Lawrence)"
Oleo | 32,3x28,4 in
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"Serie "Caligramas" "El artista 1 y 2" Oscar Wilde"
Pintura
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"Serie "Caligramas" Vidriera "Sacred Emily" - Gertrude Stein"
Pintura
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"Serie "Caligramas" "Las olas" Virginia Woolf"
Pintura
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"The Word"
Oleo | 32,3x28,4 in
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"The Waves / Las Olas - Virginia Woolf (Detail)"
Oleo | 14,2x32,3 in
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"The Artist 1 - The Sorrow that Endureth For Ever"
Acrílico en Madera | 32,3x28,4 in
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"Serie "Caligramas" "El artista 1" Oscar Wilde"
Pintura
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"Serie "Caligramas" Escultura con luz "Arte" Charles Bukowski"
Pintura
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"Una imagen divina/ A Divine Image (William Blake)"
Oleo | 32,3x42,5 in
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"The Waves / Las Olas - Virginia Woolf (Detail)"
Oleo | 14,2x32,3 in
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"The Artist 2 - The Pleasure that Abideth for a Moment"
Acrílico en Madera | 32,3x28,4 in
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"Serie "Caligramas" "El artista 2" Oscar Wilde"
Pintura
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"Serie "Caligramas" "Arte" Charles Bukowski"
Pintura
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"Sacred Emily - Poem by Gertrude Stein"
Oleo | 32,3x28,4 in
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"The Waves / Las Olas - Virginia Woolf (Detail)"
Oleo | 14,2x32,3 in
No está en venta
"Art - Poem by Charles Bukowski"
Oleo | 32,3x28,4 in
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"Serie "Caligramas" "Sacred Emily" - Gertrude Stein"
Acrílico en Madera
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"Serie "Caligramas" Escultura con luz "Las olas" Virginia Woolf"
Pintura
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