Latest artworks from GHENADOR

Old Church Mazarache from Chisinau

ghenador @ Artmajeur — Thu, 19 Nov 2009 14:38:24 +0100

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Biserica Acoperemântul Maicii Domnului, Mazarache, Monument de arhitectură de însemnătate naţională, introdus în Registrul monumentelor de istorie şi cultură a municipiului Chişinău la iniţiativa Academiei de Ştiinţe. Este una dintre vechile lăcaşuri de cult din republică şi din Chişinău, care purta hramul Naşterea Maicii Domnului, anul edificării fiind de fapt incert. Tradiţia ştiinţifică numeşte anul 1752, iar păstrată în popor indică drept ctitor pe pârcălabul Chişinăului Vasile Mazarachi, serdar şi vistiernic, atestat în Chişinău în 1739 şi 1741. Este situată pe teritoriul oraşului Vechi, pe un promontoriu de pe malul râului Bâc, construită deasupra Fântânii Mari, cunoscut drept Fontalul oraşului, cu canotaţii deosebite în istoria aşezării. În prima fază, biserica, atestată în februarie 1789, avea hramul Sf. Iachim şi Ana. în timpul lucrărilor de reparaţie din 1812 arhitectura a fost modificată: schimbat aspectul

Sala cu Orga din Chisinau

ghenador @ Artmajeur — Thu, 19 Nov 2009 14:32:48 +0100

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Organ chamber from Chisinau Situated in one of the most beautiful buildings in the centre of the city, the Organ Hall from Chisinau is a leading cultural and artistic institution of the Republic of Moldova whose activity has a crucial meaning in the capital’s cultural life. Due to a series of important events (festivals, contests etc.) it even has an international importance. The aim of the institution is to organize concert seasons in order to promote the values of both universal and national classical music by the contribution of instrumental and vocal performers from the country and from abroad. Apart from the organ music, which is specific for this concert hall, the spectators have the opportunity to listen to the performances of the National Chamber Orchestra (founded in the framework of the Organ Hall) with notorious soloists. There are also many instrumental, vocal, chamber ensembles recitals, various literary-musical manifestations, fine art exhibitions, concerts dedi

Farmacia Kogan

ghenador @ Artmajeur — Thu, 19 Nov 2009 14:22:59 +0100

Chişinău city hall

ghenador @ Artmajeur — Thu, 19 Nov 2009 14:20:34 +0100

COPYRIGHT 2009 - Posted by GHENADOR - Buy Now!
Chişinău city hall Monument de arhitectură şi istorie de însemnătate naţională, introdus în Registrul monumentelor de istorie şi cultură a municipiului Chişinău la iniţiativa Academiei de Ştiinţe. La sfârşitul secolului al XIX-lea primarul oraşului, K. Schmidt a înaintat iniţiativa construcţiei unui sediu nou pentru Duma orăşenească, pe locul ocupat de depoul de pompieri. Proiectarea a fost încredinţată arhitectului oraşului de atunci Mitrofan Elladi. În ajutorul său a fost invitat A. I. Bernardazzi. Arhitectura clădirii este în spirit eclectic în baza arhitecturii renaşterii italiene. Construcţia sediului Dumei a fost terminată în 1902. În timpul celui de al doilea război mondial, clădirea a fost deteriorată puternic, fiind reconstruită în anii postbelici după fotografiile clădirii, responsabil fiind arhitectul oraşului din acest timp R. Kurtz. Clădirea, ridicată în două niveluri, cu planul în formă de careu, ocupă colţul

Madonna

ghenador @ Artmajeur — Thu, 22 Oct 2009 22:56:36 +0200

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Madonna is a medieval Italian term for a noble or otherwise important woman, and has long been used commonly in reference to images of the Virgin Mary, the mother of Jesus. The word has also been adopted by the English and other European languages. "Madonna", translates as "My Lady". While stressing the personal, if reverent relationship between the Virgin and the devout Christian who addresses her in prayer, it is comparable to the French, "Notre Dame", or "Our Lady". These names signal both the increased importance of the Cult of the Virgin and the prominence of art in service to Marian devotion during the late medieval period. During the thirteenth century, especially, with the increasing influence of chivalry and aristocratic culture on poetry, song and the visual arts, the Madonna is represented as the Queen of Heaven, often enthroned. Strictly speaking, the term "Madonna" should be used exclusively for Italian works, but has become applied much more widely. It is often

Esther

ghenador @ Artmajeur — Sat, 29 Aug 2009 15:06:20 +0200

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Esther appears in the Bible as a woman of deep faith, courage and patriotism, ultimately willing to risk her life for her adoptive father, Mordecai, and the Jewish people. Scripture portrays her as a woman raised up as an instrument in the hand of God to avert the destruction of the Jewish people, and to afford them protection and forward their wealth and peace in their captivity. It is notable, though, that there is no direct mention of God by any name at any time in the Biblical Book of Esther.. The Story of Esther is said to come from an older goddess Elamite myth of Ishtar/Ashtarte (Esther) and her consort Marduk (Mordecai), who sacrificed the god Hammon, or Amon (Haman).

David

ghenador @ Artmajeur — Tue, 04 Aug 2009 21:17:13 +0200

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The Israelites are facing the Philistines in the Valley of Elah. David is bringing food to his older brothers who are with King Saul, and hears Goliath challenging the Israelites to send their own champion to decide the outcome in single combat. He insists that he can defeat Goliath, and Saul sends for him and reluctantly allows him to make the attempt. David is victorious, felling Goliath with a stone from his sling, at which the Philistines flee in terror and the Israelites win a great victory. David cuts off the giant's head and takes it to Jerusalem. Saul asks who the young hero is; David replies, "I am the son of your servant Jesse of Bethlehem." 1 Samuel 17:58

Joseph the son of Jacob

ghenador @ Artmajeur — Tue, 04 Aug 2009 20:58:49 +0200

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The name Joseph can be translated from Hebrew as signifying "The Lord will increase/add". Joseph is Jacob's eleventh son and Rachel's first. Joseph, son of Jacob, is one of the best-known figures in the Torah, famous for his coat of many colors (although this is actually a mistranslation of the Hebrew phrase "kethoneth pac" which in fact means "long-sleeved tunic") and his God-given ability to interpret dreams.

Dandelions still Life

ghenador @ Artmajeur — Mon, 18 May 2009 21:42:12 +0200

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The English name dandelion is a corruption of the French dent de lion meaning "lion's tooth", referring to the coarsely-toothed leaves. The names of the plant have the same meaning in several other European languages, such as the Italian dente di leone, Spanish diente de león, Portuguese dente-de-leão, Norwegian Løvetann, and German Löwenzahn. In modern French the plant is named pissenlit, which means "urinate in bed", apparently referring to its diuretic properties[citation needed]. Likewise, "pissabeds" is an English folk-name for this plant, as is piscialletto in Italian and the Spanish meacamas. In various north-eastern Italian dialects the plant is known as pisacan ("dog pisses"), referring to how common they are found at the side of pavements[citation needed], while in many other northern Italian dialects it is known as soffione ("blowing") referring to the blowing the seeds from the stalk. The same is true for German, where Pusteblume ("blowing flower") is a

Moldovans

ghenador @ Artmajeur — Thu, 26 Mar 2009 17:43:46 +0100

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Moldovans or Moldavians (original name: Moldoveni; Молдовень in the Moldovan Cyrillic script used nowadays only in Transnistria) are the native population of the medieval Principality of Moldavia, which nowadays corresponds to 8 north-eastern counties of Romania (out of 41), the Republic of Moldova, and small parts of Ukraine (namely, the Chernivtsi oblast and Budjak). There is an ongoing political controversy inside as well as outside the Republic of Moldova whether Moldovans constitute a part of the Romanian nation, or whether they form a separate ethnic group. Culturally and linguistically they are related to Romanians. The term Moldovans can also refer to the native population of Moldova and its citizens irrespective of their ethnic affiliation.

Mihaileni

ghenador @ Artmajeur — Thu, 26 Mar 2009 17:33:24 +0100

Mary Magdalene

ghenador @ Artmajeur — Thu, 26 Mar 2009 17:06:01 +0100

COPYRIGHT 2009 - Posted by GHENADOR - Buy Now!
In the earliest extant Biblical accounts now available Mark15.40-41; Mark 15.47; Mark 16.1-2 Mary of Magdala is described as a Galilean disciple, a witness to the crucifixion and the mystery of Jesus of Nazareth's resurrected body. Together with other female followers, Mary accompanied Jesus on his journey to Jerusalem (Mark 15:41; Matthew 27:55-56; Luke 23:55) and witnessesed the Crucifixion. (Mark 15:33-40; Matthew 27:45-55; Luke 23:44-49; John 19.25-30) Mary remained at the cross until the body was taken down and laid in a tomb.(Mark 15:46, Matthew 27.59-60, Luke 23:53, John 19.41) In the early dawn, when the Sabbath was over, Mary Magdalene (with other women) (Mark 16:1-2, Matthew 28:1, Luke 23.55-24.1, John 20.1, Gospel of Peter 12), came to the sepulchre with spices to anoint the body. They found the sepulchre empty and were informed of Jesus's resurrection. Mary's epithet of 'Apostle to the Apostle' comes from her ascription as the first witness to the empty tomb who then

“The Pyramids of Auschwitz"

ghenador @ Artmajeur — Wed, 25 Mar 2009 18:22:28 +0100

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The painting “The Pyramids of Auschwitz” is dedicated to the theme of Shoa. It is based on the verses from the Deuteronomy, chapter 29. In this artwork the painter points out to several key issues: • Parallel between slavery of Jewish nation in Egypt and Holocaust • Parallel between the Egyptian pyramids and the piles of shoes gathered in the concentration camps in Auschwitz. In this context, shoes can tell a story and a history of a person. Shoes constitute human identity, while a pile of shoes can represent destiny of a whole nation. Shoes become a symbol of a person or a nation with a tragic destiny.

“The Pyramids of Auschwitz

ghenador @ Artmajeur — Wed, 25 Mar 2009 18:19:26 +0100

The Pyramids of Auschwitz

ghenador @ Artmajeur — Wed, 25 Mar 2009 18:12:17 +0100